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Play by Eugene O'Neill From Wikipedia, the free encyclopedia
Ah, Wilderness! is a comedy play by American playwright Eugene O'Neill that premiered on Broadway at the Guild Theatre on October 2, 1933. It differs from a typical O'Neill play in its happy ending for the central character, and depiction of a happy family in turn-of-the-century America. It is O'Neill's only well-known comedy.
Ah, Wilderness! | |
---|---|
Written by | Eugene O'Neill |
Date premiered | October 2, 1933 |
Place premiered | Guild Theatre New York City |
Original language | English |
Genre | Comedy |
Setting | The Miller family home in small town Connecticut, July 4, 1906 |
The play was successful in its first Broadway production and the touring production that followed. It has since become a staple of community repertory.
The play takes place on the Fourth of July 1906 and focuses on the Miller family, presumably of New London, Connecticut. The main plot deals with the middle son, 16-year-old Richard, and his coming of age in turn-of-the-century America. "Perhaps the most atypical of the author's works, the play presents a sentimental tale of youthful indiscretion in a turn-of-the-century New England town."[1]
The title derives from Quatrain XII of Edward Fitzgerald's translation of the Rubáiyát of Omar Khayyám (5th edition, 1889), one of Richard's favorite poems:
Theatre Guild Producer
Philip Moeller Director
Robert Edmond Jones Scenic Designer
CAST
George M. Cohan as Nat Miller
Adelaide Bean as Mildred Miller
John Butler as Salesman
Ruth Chorpenning as Norah
Elisha Cook, Jr. as the son, Richard Miller
Ruth Gilbert as Muriel McComber
Eda Heinemann as Lily Miller
Ruth Holden as Belle
Gene Lockhart as Sid Davis
Marjorie Marquis as David's mother, Essie Miller
Donald McClelland as Bartender
William Post, Jr. as Arthur Miller
Richard Sterling as David McComber
Walter Vonnegut, Jr. as Tommy Miller
John Wynne as Wint Selby
When the play first toured, Will Rogers took the role of the warmhearted Nat, perhaps contributing to the critical and audience success of the play, a staple of community repertory since the original production.[1]
The play was included in Burns Mantle's The Best Plays of 1933–1934 with George M. Cohan in the cast[2] and again as a revival in 1941–42.[3]
In a review of a 1998 production of the play at The Huntington Theatre in Boston, the reviewer noted O'Neill, who "penned [it] in a single month in 1932, the Harvard educated playwright takes a well deserved vacation from this cold and unrelenting world, and gives us a surprisingly warm portrayal of middle-class family life in "large small-town America."" He further remarked about the play "The character Richard Miller was clearly modeled on O'Neill's image of himself as an aspiring poet, but unlike O'Neill, Richard's rebellion is quelled and his craving for romantic endeavors extinguished by a loving family who cares and wishes him the best."[4]
The play was made into a 1935 film of the same title and again in 1948 as the musical Summer Holiday. Mickey Rooney starred as Tommy in the former and Richard in the latter. The success of the first film led MGM to reunite much of the cast in another film based on a small town coming of age play, A Family Affair, which became the basis for the Andy Hardy series.
The play was also adapted for radio on The Campbell Playhouse in a one-hour version produced by and starring Orson Welles on September 17, 1939.[5] Additional one-hour radio adaptations were performed on the Theatre Guild on The Air on October 7, 1945,[6] Studio One on July 15, 1947,[7] and the Ford Theater on November 2, 1947.[8]
On June 15, 1955, a televised adaptation was shown on Front Row Center on CBS.[9]
The story was also made into the 1959 Broadway musical Take Me Along starring Jackie Gleason as the drunken Uncle Sid (Beery's role in the film), Walter Pidgeon as Nat and Robert Morse as Richard. The production ran for 448 performances. Gleason won the 1960 Tony Award for Best Actor in a Musical. A revival in 1984 had a successful run for six months in Connecticut and Washington, D.C., but closed on Broadway after only a short debut and a week of previews.
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