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"A Lover's Concerto" is a pop song written by American songwriters Sandy Linzer and Denny Randell, based on the 18th century composition by Christian Petzold, "Minuet in G major", and recorded in 1965 by the Toys. "A Lover's Concerto" sold more than two million copies and was awarded gold record certification by the RIAA.[1]
"A Lover's Concerto" | ||||
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Single by The Toys | ||||
from the album The Toys Sing "A Lover's Concerto" and "Attack!" | ||||
B-side | "This Night" | |||
Released | August 1965 (US) October 1965 (UK) | |||
Genre | Pop | |||
Length | 2:36 | |||
Label | DynoVoice | |||
Songwriter(s) | Sandy Linzer, Denny Randell, Christian Petzold | |||
Producer(s) | Linzer and Randell | |||
The Toys singles chronology | ||||
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Their original version of the song was a major hit in the United States and United Kingdom (among other countries) during 1965. It peaked on the US Billboard Hot 100 chart at number 2.[2] "A Lover's Concerto" reached number 1 both on the US Cashbox chart (Billboard's main competitor), and in Canada on the RPM national singles chart. It peaked at number 5 in the UK Singles Chart.[3]
Linzer and Randell used the melody of the familiar "Minuet in G major" (BWV Anh. 114), which first appeared in J.S. Bach's Notebook for Anna Magdalena Bach.[2] The only difference is that the "Minuet in G major" is written in 3
4 time, whereas "A Lover's Concerto" is arranged in 4
4 time. Although often attributed to Bach himself, the "Minuet in G major" is now generally accepted as having been written by Christian Petzold.[4][5][6]
The melody had been popularized by bandleader Freddy Martin in the 1940s, in a recording that was released under the title "A Lover's Concerto".[7]
Critic Dave Thompson wrote of the Toys' version: "Few records are this perfect. Riding across one of the most deceptively hook-laden melodies ever conceived ... 'A Lover's Concerto' marks the apogee of the Girl Group sound."[2] The song also has an unusual structure that blurs the differences between its verses and choruses.[2] Add to this, it was also popularized by Sarah Vaughan under Mercury label in the late ‘60s. The lyrics begin:
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