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5th Annual Grammy Awards
1963 Grammy award ceremony From Wikipedia, the free encyclopedia
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The 5th Annual Grammy Awards were held on May 15, 1963, at Chicago, Los Angeles and New York City. They recognized accomplishments by musicians for the year 1962.[1][2] Tony Bennett and Igor Stravinsky each won 3 awards.
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Award winners
- Record of the Year
- Album of the Year (other than classical)
- Vaughn Meader for The First Family
- Allan Sherman for My Son, The Folk Singer
- Ray Charles for Modern Sounds In Country And Western Music, Vol. I
- Stan Getz & Charlie Byrd for Jazz Samba
- Tony Bennett for I Left My Heart In San Francisco
- Song of the Year
- Leslie Bricusse & Anthony Newley (songwriters) for "What Kind of Fool Am I?" performed by Sammy Davis Jr.
- Richard Rodgers (songwriter) for "The Sweetest Sounds" performed by Peggy Lee
- Fred Ebb & John Kander (songwriters) for "My Coloring Book" performed by Sandy Stewart
- George Cory & Douglas Cross (songwriters) for "I Left My Heart In San Francisco" performed by Tony Bennett
- Lionel Bart (songwriter) for "As Long As He Needs Me" performed by Shirley Bassey & Della Reese
- Best New Artist
Children's
- Best Recording for Children
- Leonard Bernstein (conductor) for Saint-Saëns: Carnival of the Animals/Britten: Young Person's Guide to the Orchestra
- John Ciardi for You Read To Me, I'll Read To You
- The Limeliters for Through Children's Eyes
- David Seville And The Chipmunks for The Chipmunk Songbook
- Boris Karloff for The Cat Who Walked By Herself
- Shari Lewis for Shari In Storyland
- Danny Kaye for Grimm's Fairy Tales
Classical
- Best Classical Performance - Orchestra
- Igor Stravinsky (conductor) & the Columbia Symphony Orchestra for Stravinsky: The Firebird Ballet
- Best Classical Performance - Vocal Soloist (with or without orchestra)
- Leonard Bernstein (conductor), Eileen Farrell & the New York Philharmonic for Götterdämmerung - Brunnhilde's Immolation Scene/Wesendonck Songs
- Best Opera Recording
- Georg Solti (conductor), Robert Merrill, Leontyne Price, Giorgio Tozzi, Jon Vickers, & the Rome Opera House Orchestra for Verdi: Aida
- Best Classical Performance - Choral (other than opera)
- Otto Klemperer (conductor), Wilhelm Pitz (choir director) & the Philharmonia Orchestra & Chorus for Bach: St. Matthew Passion
- Best Classical Performance - Instrumental Soloist or Soloists (with orchestra)
- Igor Stravinsky (conductor), Isaac Stern & the Columbia Symphony Orchestra for Stravinsky: Violin Concerto in D
- Best Classical Performance - Instrumental Soloist or Duo (without orchestra)
- Vladimir Horowitz for Columbia Records Presents Vladimir Horowitz
- Best Classical Performance - Chamber Music
- Jascha Heifetz, Gregor Piatigorsky & William Primrose for The Heifetz-Piatigorsky Concerts With Primrose, Pennario and Guests
- Best Contemporary Composition
- Igor Stravinsky (composer and conductor) for Stravinsky: The Flood
- Album of the Year - Classical
- Vladimir Horowitz for Columbia Records Presents Vladimir Horowitz
Composing and arranging
- Best Instrumental Theme
- Bobby Scott & Ric Marlowe (composers) for "A Taste of Honey"
- Elmer Bernstein & Mack David (composers) for "Walk On The Wild Side" performed by Elmer Bernstein
- Dave Rose (composer) for The Stripper performed by Dave Rose
- Acker Bilk (composer) for "Stranger On The Shore" performed by Acker Bilk
- Nelson Riddle (composer) for Route 66 Theme performed by Nelson Riddle
- Henry Mancini (composer) for "Baby Elephant Walk" performed by Henry Mancini
- Best Instrumental Arrangement
- Henry Mancini (arranger) for "Baby Elephant Walk"
- Dave Rose (arranger) for The Stripper performed by Dave Rose
- Robert Farnon (arranger) for Sensuous Strings Of Robert Farnon performed by Robert Farnon And His Orchestra
- Nelson Riddle (arranger) for Route 66 Theme performed by Nelson Riddle And His Orchestra
- Quincy Jones (arranger) for Quintessence performed by Quincy Jones
- Eddie Sauter (arranger) for "Focus" performed by Stan Getz
- Joe Harnell (arranger) for "Fly Me To The Moon Bossa Nova" performed by Joe Harnell And His Orchestra
- Best Background Arrangement
- Marty Manning (arranger) for "I Left My Heart in San Francisco" performed by Tony Bennett
- Marty Paich (arranger) for "What Kind Of Fool Am I" performed by Sammy Davis Jr.
- Bill Finegan (arranger) for "My Ship" performed by Carol Sloane
- Antonio Carlos Jobim (arranger) for "Joao Gilberto" performed by Joao Gilberto
- Marty Paich (arranger) for "I Can't Stop Loving You" performed by Ray Charles
- Marion Evans (arranger) for "Go Away Little Girl" performed by Steve Lawrence
- Marty Paich (arranger) for "Born To Lose" performed by Ray Charles
Country
- Best Country & Western Recording
- Burl Ives for "Funny Way of Laughin'"
- Claude King for "Wolverton Mountain"
- George Jones for "She Thinks I Still Care"
- Jimmy Dean for "P.T. 109"
- Johnny Tillotson for "It Keeps Right On A-Hurtin'"
- Marty Robbins for "Devil Woman"
Folk
- Best Folk Recording
- Peter, Paul and Mary for "If I Had a Hammer"
- Harry Belafonte for "The Midnight Special"
- Flatt And Scruggs for "The Ballad Of Jed Clampett"
- The Kingston Trio for Something Special
- The New Christy Minstrels for Presenting The New Christy Minstrels
- Joan Baez for Joan Baez In Concert
- Bob Dylan for Bob Dylan
Gospel
- Best Gospel or Other Religious Recording
- Mahalia Jackson for Great Songs of Love and Faith
- Tennessee Ernie Ford for "I Love To Tell The Story"
- Ralph Carmichael for Hymns At Sunset
- Alex Bradford, Marion Williams And The Stars Of Faith & Princess Stewart for Back Nativity
- The Clefs Of Calvary for "Save Me"
- Marian Anderson for Marian Anderson - He's Got The Whole World In His Hands And 18 Other Spirituals
- Leopold Stokowski & Norman Luboff Choir for Inspiration - Great Music For Chorus And Orchestra
Jazz
- Best Jazz Performance - Soloist Or Small Group (Instrumental)
- Stan Getz for "Desafinado"
- Oscar Peterson for West Side Story
- Laurindo Almeida for Viva Bossa Nova!
- Bill Evans & Jim Hall for Undercurrent
- Charlie Mingus Tijauna Moods
- George Shearing Quintet for Nat King Cole Sings, George Shearing Plays
- Eddie Cano for A Taste Of Honey
- Best Jazz Performance - Large Group (Instrumental)
- Stan Kenton for Adventures In Jazz
- Jimmy Smith for "Walk On The Wild Side"
- Count Basie for The Legend
- Miles Davis & Gil Evans for Miles Davis At Carnegie Hall
- Count Basie Orchestra & Duke Ellington Orchestra for First Time!
- Dizzy Gillespie for Carnegie Hall Concert
- Gary McFarland & Stan Getz for Big Band Bossa Nova
- Best Original Jazz Composition
- Vince Guaraldi (composer) for "Cast Your Fate to the Wind" performed by the Vince Guaraldi Trio
- Lalo Schifrin (composer) for "Tunisian Fantasy" performed by The Dizzy Gillespie Big Band
- Charlie Mingus (composer and performer) for "Tijuana Moods"
- Henry Mancini (composer and performer) for "The Sounds Of Hatari"
- Quincy Jones (composer and performer) for "Quintessence"
- Eddie Sauter (composer) for "Focus" performed by Stan Getz
- Paul Desmond (composer and performer) for "Desmond Blue"
Musical show
- Best Original Cast Show Album
- Richard Rodgers (composer) & the original cast (Richard Kiley, Diahann Carroll, Bernice Mass, Noelle Adam, Don Chastain, Mitchell Gregg & Noelle Adam) for No Strings
- Leslie Bricusse & Anthony Newley (composers) for Stop The World - I Want To Get Off performed by original cast including Anthony Newley & Anna Quale
- Lionel Bart (composer) for Oliver! performed by original Broadway cast including Clive Revill & David Jones
- Dudley Moore (composer) for Beyond The Fringe performed by Dudley Moore, Alan Bennett, Peter Cook & Jonathan Miller
- Stephen Sondheim (composer) for A Funny Thing Happened On The Way To The Forum performed by original Broadway cast including Zero Mostel & Jack Gilford
Packaging and notes
- Best Album Cover - Classical
- Marvin Schwartz (art director) for The Intimate Bach performed by Laurindo Almeida, Virginia Majewski & Vincent DeRosa
- Marvin Schwartz (art director) for Wagner: Prelude And Love Death/R. Strauss: Death And Transfiguration conducted by Erich Leinsdorf
- Marvin Schwartz (art director) for Otto Klemperer Conducts (Weill: Three Penny Opera Suite And Others) conducted by Otto Klemperer
- Marvin Schwartz (art director) for Faure: Requiem conducted by Roger Wagner
- Marvin Schwartz (art director) for Beethoven: Fidelio conducted by Otto Klemperer
- Jim Silke (art director) for Bartók: The Miraculous Mandarin/ Shostakovich: The Age Of Gold conducted by Robert Irving
- Best Album Cover - Other Than Classical
- Robert M. Jones (art director) for Lena...Lovely and Alive performed by Lena Horne
- Jim Silke (art director) for The Great Years performed by Frank Sinatra
- Bill Longcore (art director) for The First Family performed by Vaughn Meader & other artists
- Loring Eutemey (art director) for The Comedy performed by Modern Jazz Quartet
- Ed Thrasher (art director) for Potpourri Par Piaf performed by Édith Piaf
- Ken Kim (art director) for My Son, The Folk Singer performed by Allan Sherman
- Loring Eutemey (art director) for Lonely Woman performed by Modern Jazz Quartet
- John Murello (art director) for Jazz Samba performed by Stan Getz
Pop
- Best Solo Vocal Performance, Female
- Ella Fitzgerald for Ella Swings Brightly with Nelson
- Pat Thomas for "Slightly Out Of Tune (Desafinado)"
- Diahann Carroll for No Strings
- Sandy Stewart for "My Coloring Book"
- Ketty Lester for Love Letters
- Lena Horne for Lena... Lovely And Alive
- Peggy Lee for "I'm A Woman"
- Best Solo Vocal Performance, Male
- Tony Bennett for "I Left My Heart in San Francisco"
- Sammy Davis Jr. for "What Kind Of Fool Am I"
- Anthony Newley "What Kind Of Fool Am I"
- Ray Charles for I Can't Stop Loving You
- Mel Tormé for Comin' Home Baby
- Best Performance by a Vocal Group
- Peter, Paul and Mary for "If I Had a Hammer"
- The Limeliters for Through Children's Eyes
- The Four Freshman for The Swingers
- The Hi-Lo's for The Hi-Lo's Happen To Folk Songs
- The Letterman for "A Song For Young Love"
- Best Performance by a Chorus
- The New Christy Minstrels for Presenting The New Christy Minstrels
- Fred Waring & The Pennsylvanians for The Waring Blend
- Johnny Mann Singers for Great Band With Great Voices Swing The Great Voices Of The Great Band
- Pete King Orchestra & Chorale for Consider Yourself
- Norman Luboff Choir for A Choral Spectacular
- Best Performance by an Orchestra - for Dancing
- Joe Harnell for Fly Me to the Moon and the Bossa Nova Pops
- Quincy Jones for Big Band Bossa Nova
- Laurindo Almeida for Viva Bossa Nova!
- Dave Rose for "The Stripper"
- Neal Hefti for "Jazz Pops"
- Stan Getz & Gary McFarland for Big Band Bossa Nova
- Best Performance by an Orchestra or Instrumentalist with Orchestra, Not for Jazz or Dancing
- Peter Nero for The Colorful Peter Nero
- Elmer Bernstein for Walk On The Wild Side
- Acker Bilk for "Stranger On The Shore"
- Felix Slatkin for Hoedown!
- Henry Mancini for Hatari!
- Best Rock and Roll Recording
- Bent Fabric for "Alley Cat"
- Mary Wells for "You Beat Me To The Punch"
- The Drifters for "Up On The Roof"
- Sam Cooke for "Twistin' The Night Away"
- Neil Sedaka for "Breaking Up Is Hard To Do"
- Four Seasons for "Big Girls Don't Cry"
Production and engineering
- Best Engineering Contribution - Other Than Novelty and Other Than Classical
- Al Schmitt (engineer) for Hatari! performed by Henry Mancini
- William Hamilton (engineer) for Stereo Spectacular performed by various artists
- John Kraus (engineer) for "Route 66 Theme" performed by Nelson Riddle
- Hugh Davies (engineer) for Jonah Jones And Glen Gray performed by Jonah Jones & Glen Gray
- Bill Putnam (engineer) for I Can't Stop Loving You performed by Ray Charles
- Al Schmitt (engineer) for Great Band With Great Voices Swing The Great Voices Of The Great Bands performed by Johnny Mann Singers
- Carson C. Taylor (engineer) Adventures In Jazz performed by Stan Kenton
- Best Engineered Recording - Classical
- Lewis W. Layton (engineer), Fritz Reiner (conductor) & the Chicago Symphony Orchestra for Strauss: Also Sprach Zarathustra
- Robert Fine (engineer) for Prokofiev: Concerto No. 3 For Piano/Rachmaninoff Concerto No. 1 For Piano conducted by Kyril Konrashin, piano by Byron Janis
- William Britten (engineer) for Mahler: Symphony No. 9 In D Minor conducted by Bruno Walter
- Fred Plaut (engineer) for Mahler: Symphony No. 3 In D Minor conducted by Leonard Bernstein
- John Culshaw (engineer) for Holst: The Planets conducted by Herbert von Karajan
- Robert Fine (engineer) for Copland: Billy The Kid/Appalachian Spring conducted by Antal Dorati
- Fred Plaut (engineer) for Columbia Records Presents VLADIMIR HOROWITZ piano by Vladimir Horowitz
- Best Engineering Contribution - Novelty
- Robert Fine (engineer) for The Civil War, Vol. I performed by Martin Gabel & Frederick Fennell
- John Quinn (engineer) for The First Family performed by Vaughan Meader and other artists
- Al Schmitt (engineer) for The Chipmunk Songbook performed by David Seville
- Eddie Smith (engineer) for Pepino The Italian Mouse performed by Lou Monte
- Lowell Frank (engineer) for My Son, The Folk Singer performed by Allan Sherman
R&B
Spoken
- Best Documentary or Spoken Word Recording (other than comedy)
- Charles Laughton for The Story-Teller: A Session With Charles Laughton
- Laurence Harvey for This Is My Beloved
- Yehuda Lev for Six Million Accuse
- Michael Redgrave for Sir Michael Redgrave Reads Chekov Stories
- Stan Kenton for Mama Sang A Song
- Leonard Bernstein for First Performance Lincoln Center For The Performing Arts
- Glenn Gould & Claude Rains for Enoch Arden (Music By R. Strauss/Poem By Alfred Tennyson)
- Carl Sandburg for Carl Sandburg Reading His Poetry
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References
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