Épinal print

Épinal prints were prints on popular subjects rendered in bright, sharp colors, sold in France in the 19th century. They owe their name to the fact that the first publisher of such images, Jean-Charles Pellerin, who was born in Épinal, named the printing house he founded in 1796 Imagerie d'Épinal.^[1]

You can help expand this article with text translated from the corresponding article in French. (March 2010) Click [show] for important translation instructions.

View a machine-translated version of the French article.
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The expression "image d'Épinal" has become proverbial in French and refers to a traditionalist and often naïve depiction of something, focusing only on its positive aspects^[2]

These prints were frequently used as a point of comparison for criticizing the paintings of Gustave Courbet, notably his Burial at Ornans and Peasants of Flagey returning from the Fair, as well as the works of Édouard Manet. However, Émile Zola turned the comparison into praise when discussing some of Manet's works, such as The Fifer.^[3]

Cendrillon la pantoufle.
La Petite aux grelots.
L’Oiseau bleu.
Trouver chaussure à son pied.
Histoire du Petit Chaperon-Rouge

[1]
Grella O’Connell, Julia (2023-04-15), "British Wagnerism, George Moore, and Popular Print Culture at the End of the Long Nineteenth Century", Opera and British Print Culture in the Long Nineteenth Century, Liverpool University Press, pp. 211–230, doi:10.3828/liverpool/9781638040422.003.0011, ISBN 978-1-63804-042-2, retrieved 2024-10-08
[2]
Thorez, Pierre (2018-10-01), Qui gouverne le monde ?, La Découverte, pp. 187–196, doi:10.3917/dec.badie.2018.01.0187, ISBN 978-2-348-04069-6, retrieved 2024-10-08
[3]
Weingarden, Lauren S., ed. (2019-02-01), "Mirroring naturalism in word and image: a critical exchange between Émile Zola and Édouard Manet", Ekphrastic encounters, Manchester University Press, pp. 144–164, doi:10.7228/manchester/9781526125798.003.0008, ISBN 978-1-5261-2579-8, retrieved 2024-10-08

Media related to Images d'Épinal at Wikimedia Commons

This printmaking-related article is a stub. You can help Wikipedia by expanding it.

You can help expand this article with text translated from the corresponding article in French. (March 2010) Click [show] for important translation instructions.

View a machine-translated version of the French article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Consider adding a topic to this template: there are already 1,562 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Image d'Épinal]]; see its history for attribution.
You may also add the template {{Translated|fr|Image d'Épinal}} to the talk page.
For more guidance, see Wikipedia:Translation.

The expression "image d'Épinal" has become proverbial in French and refers to a traditionalist and often naïve depiction of something, focusing only on its positive aspects^[2]

Cendrillon la pantoufle.
La Petite aux grelots.
L’Oiseau bleu.
Trouver chaussure à son pied.
Histoire du Petit Chaperon-Rouge

[1]
Grella O’Connell, Julia (2023-04-15), "British Wagnerism, George Moore, and Popular Print Culture at the End of the Long Nineteenth Century", Opera and British Print Culture in the Long Nineteenth Century, Liverpool University Press, pp. 211–230, doi:10.3828/liverpool/9781638040422.003.0011, ISBN 978-1-63804-042-2, retrieved 2024-10-08
[2]
Thorez, Pierre (2018-10-01), Qui gouverne le monde ?, La Découverte, pp. 187–196, doi:10.3917/dec.badie.2018.01.0187, ISBN 978-2-348-04069-6, retrieved 2024-10-08
[3]
Weingarden, Lauren S., ed. (2019-02-01), "Mirroring naturalism in word and image: a critical exchange between Émile Zola and Édouard Manet", Ekphrastic encounters, Manchester University Press, pp. 144–164, doi:10.7228/manchester/9781526125798.003.0008, ISBN 978-1-5261-2579-8, retrieved 2024-10-08

Media related to Images d'Épinal at Wikimedia Commons

This printmaking-related article is a stub. You can help Wikipedia by expanding it.

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