Loading AI tools
Musical artist From Wikipedia, the free encyclopedia
Vlastimir Peričić (7 December 1927 in Vršac – 1 March 2000 in Belgrade) was a Serbian composer and one of the most important theoreticians of Serbian music, well-known musicologist and the author of extremely valuable university textbooks, as well as a corresponding member of the Serbian Academy of Arts and Sciences.[1]
Vlastimir Peričić | |
---|---|
Background information | |
Birth name | Vlastimir Peričić |
Born | Vršac, Kingdom of Yugoslavia | 7 December 1927
Origin | Serbian |
Died | 1 March 2000 72) Belgrade, Federal Republic of Yugoslavia | (aged
Genres | Classical music |
Occupation(s) | Composer, musician, author, music theoretician and pedagogue |
Instrument(s) | Piano, violin |
Vlastimir Peričić was the son of Juraj and Jelica Peričić, maiden name Nikolajević .
Attended elementary school in Zemun from 1934 to 1938, grammar school in Zemun from 1938 to 1941 and in Belgrade from 1941 to 1946. Enrolled high school of music at the Belgrade Academy in 1941, the Music Academy in 1945, graduated from the Department of Composition at the Music Academy of Belgrade (the class of professor Stanojlo Rajičić) in 1951.
In the period from 1945 to 1947 worked as an intern in the Natural History Museum in Belgrade, from 1948 to 1951 as a part-time lecturer of solfeggio and basic music theory at the Music School Josif Marinković[2] in Belgrade, from 1951 to 1955 as a professor of theoretical subjects in the Secondary School of Music at the Academy of Music (now the School of Music Slavenski[3]).
Vlastimir Peričić spent the school year 1955—1956 training at the Academy of Music and Drama Art (Akademie für Musik und darstellende Kunst) in Vienna (class for composition of professor Alfred Uhl). During the summer 1956 he attended courses for contemporary music in Darmstadt (Germany).
In 1955 he was elected an assistant at the Department of Composition of the Academy of Music in Belgrade (now the University of Arts in Belgrade Faculty of Music)[4]), 1961 Assistant Professor at the Department of Music Theory, 1965 Associate Professor, 1988 full professor. From 1967 to 1971 he also taught at the Department of I stage education in Niš. He taught various theoretical subjects (harmony, harmonic analysis, counterpoint, musical forms, analysis of musical works, tone movement, knowledge of instruments, etc.), and since 1971 the history of Yugoslav music at the Department of Musicology.
He was a mentor to 51 candidates from the theoretical courses and 27 from the history of Yugoslav music for their final exam, as well as to 6 postgraduates.
He retired as a professor of the Faculty of Music in Belgrade in 1993.
He died in Belgrade on 1 March 2000.
For 80 anniversary of composer's birth, 7 December 2007, in Music and Information Centre SOKOJ in Belgrade, the first part of the Legacy[5][6] Vlastimir Peričić was opened.
Academy of Music, University of East Sarajevo, opened the second part of the Legacy Vlastimir Peričić.[7]
Vlastimir Peričić won several awards and recognitions.
Here are just some of them:
His idiom in music writing is based on neo-romanticism, with some tendencies towards freer and bolder vertical structures. In his works, which are characterized by clarity and fine technical touch, there prevails some inclination towards sonata-cyclic forms.
1. Dve narodne for mixed choir (Megla se kadi, 1946, 2'; Tri godini, 1946, rev. 1948, 4')
2. Tri minijature za klavir (Canzonetta, Valse, Chant sans paroles, 1947, 6')
3. Intermeco za klavir, 1947, 4'
4. Menuet for string quartet, 1947, 3'
5. Three solos (U troje, Grm, Bila jednom ruža jedna), 1948, 9'
6. Two mixed choirs (Grm, Veče na školju), 1948, 6'
7. Pesme iz Vranja (I handful) for mixed choir, 1948, 4'
8. Tema s varijacijama za klavir, 1948, 12'
9. Pesme iz Makedonije (II handful) for mixed choir, 1948, 5'
10. Sonata za klavir in F- minor, 1949, 22'
11. Pepeljuga, music for children's puppet play, for small orchestra,1949, 20'
12. Pesme iz Dalmacije (III handful) for mixed choir, 1049, 5'
13. Gudački kvartet, d- minor, 1950, 25'[11]
14. Šumske idile, a song cycle for voice and piano (Cvračak, Mrtvi lugar, Orao), 1950, 9'
15. Novela od Stanca, the music for scene, 1950, 12'
16. Simfonijski stav za veliki orkestar, in G- minor, 1951, 14'
17. Sonatina za violinu i klavir, in E- major, 1951, 9'
18. Sonatina za klavir, 1952, 8'
19. Fantasia quasi una sonata, for viola and piano in G-minor, 1954, 14'
20. Pasakalja za violončelo i klavir, 1955, 9'
21. Mala svita za tri violine (Fughetta, Scherzando, Lamento, Moto perpetuo), 1955, 10' (lost)
22. Simfonieta za gudački orkestar, 1956–57, 25'[12]
23. Tri pesme Rabindranatha Tagore, for voice and piano, 1957, 9'
24. Music for children's film Drveni konjić, for piano, 1957, 9'
25. Noć bez jutra, song cycle for voice and piano, 1959, 8'
26. Preludijum za klavir, 1960, 2'
27. Gradinar, song cycle for voice and piano, 1962–64, 15'
28. Sonatina za klarinet i klavir (Tribute to Dvorak) in F-major, 1996, 8'[13]
29. Sonatina breve for clarinet and piano (Dedication to my professor Stanojlo Rajičić) in D-minor, 1996, 5'
30. Ciacconetta for clarinet and piano, 1996, 3'
31. Sarabanda e Fugeta for clarinet and piano, 1946/1996, 4'
32. Sonata za violončelo i klavir in B-minor, 1955/1996, 22' (includes no.20 Passacaglia)
33. Dve etide za klarinet i klavir, 1997, 3'
34. Tri dueta za dva klarineta i klavir, 1997, 4'
35. Kto Bog velij for mixed choir, 1998, 2'[14]
Texts for the programs of Radio Belgrade, Radio Skopje, for covers of the records in the BTB PGP, the program comments for the Belgrade Philharmonic Orchestra, Symphony Orchestra and Choir of Radio Belgrade, Musical Youth. Biographical articles on composers-academics on the occasion of the SANU exhibition, 1981, texts for the programs of concerts in the SANU Gallery, 1982/1983, etc..
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.