The first formal Ukrainian artistic group to call itself "Avangarde" (Avant-garde) was founded in Kharkiv in 1925.[3] The term, "Ukrainian Avant-Garde", concerning painting and sculpture during Soviet censorship, was used during discussion at Tatlin's dream exhibition. Curated by Parisian art historian Andréi Nakov, in London, 1973, the exhibition showcased works of Ukrainian artists Vasyl Yermylov and Alexander Bogomazov.[4]
The first international avant-garde exhibitions in Ukraine, which included French, Italian, Ukrainian and Russian artists, were presented in Odesa and Kyiv at the Izdebsky Salon; the pieces were later exhibited in St. Petersburg and Riga.[5][3] The cover of "Izdebsky Salon 2" (1910–11)
contained abstract work by Wassily Kandinsky.
Vasyl Yermylov cover of "Avangarde" magazine, 1929Ukrainian avant-garde painting The Overthrow of the Autocracy
1914: Aleksandra Ekster – together with her fellow-Ukrainians Archipenko, Vladimir Baranov-Rossiné, Kazimir Malevich , Vadym Meller and the Burliuk brothers, exhibit at the Société des Artistes Indépendants in Paris and, alongside Archipenko, take part in the Esposizione Libera Futurista Internazionale in Rome.[6]
Vera Faber, Die ukrainische Avantgarde zwischen Ost und West. Intertextualität, Intermedialitätund Polemik im ukrainischen Futurismus und Konstruktivismus der späten 1920er Jahre. Bielefeld:Transcript, 2019, 416s. ISBN978-3-8376-4606-1.
Myroslav Shkandrij. Avant-Garde Art in Ukraine, 1910–1930: Contested Memory, 2019
Endre Bojtar, "Die Avantgarde in der ukrainischen Lyrik der zwanziger Jahre". In: M. Semenko: Ausgewahlte Werke. Würzburg, 1983. 218-233.
John E. Bowlt, "Performing Arts Journal", Vol. 1, No. 3 (Winter, 1977), pp.62–84.
Birnie Danzker J.-A. Die Avantgarde und die Ukraine / Avantgarde and Ukraine / J.-A. Birnie Danzker, I. Jasenjawsky, J. Kiblitsky. – Munhen: Klinhardt & Biermann, 1993. – P. 13-40.
Dmytro Gorbachov, V. Melnyk. Ukrainian avant-garde // "Pamyatki Ukrainy". 1991. No. 4. p. 22-29.
P Kirchner, I Kongreß der Internationalen Assoziation der Ukrainisten, Zeitschrift für Slawistik, 1991.
Mahdalyna Laslo-Kutsiuk, Shukannia formy: Narysy z ukrainskoi literatury XX stolittia. Bucharest: Kriterion, 1980. 327 p.
Jean-Claude Marcadé, Raum, Farbe, Hyperbolismus: Besonderheiten der Ukrainischen Avantgardekunst ( Space, colour, hyperbolism: characteristics of Ukrainian avant-garde art ) / Jean-Claude Marcadé, J.-A. Birnie Danzker, I. Jasenjawsky, J. Kiblitsky // Avantgarde and Ukraine. – Munhen: Klinhardt & Biermann, 1993. – P. 41-51.
Valentine Marcadé, "Ukrainian art of the twentieth century and Western Europe", V. Markade, Vsesvit. - 1990. - No. 7. - P. 169-180.
Myroslava Mudrak, Nova Generatsiia (1927-1930) and the Artistic Avant-Garde in the Ukraine (dissertation), University of Texas at Austin, 1980.
Myroslava Mudrak, The painted surface in the Ukrainian Avant-garde: from facture to construction, Pantheon, 1987.
Myroslava Mudrak, "The New Generation and Artistic Modernism in the Ukraine" (review by Leon Tsao) Leonardo Vol. 21, No. 3 (1988), pp.332–333.
Myroslava Mudrak, "The Ukrainian Studio of Plastic Arts in Prague and the Art of Jan Kulec", Art Journal Vol. 49, No. 1, (Spring, 1990), pp.36–43.
Myroslav Shkandrij. The Literary Discussion in Soviet Ukraine, 1925-1928 (dissertation), University of Toronto, 1982.
Virlana Tkacz, Les Kurbas and the Creation of a Ukrainian Avant-garde Theatre: The Early Years, Columbia University, 1983 .
Olena Golub, "Everything was beginning from aquarelle". Day, 2010, (September 16.).
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