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Stop putting wrong labels. Conflict of interest (COI) editing involves contributing to Wikipedia about yourself, family, friends, clients, employers, or your financial and other relationships. I am from Oradea, Maria-Ana Tupan is from Bucharest. The distance between Oradea and Bucharest is 600 km. You can check my IP with WHois tool. And I have no degree of relationship or friendship with Maria-Ana Tupan. She is a literary critic that I respect. Clear?2A02:2F08:EB08:8B00:E59A:F0E:D9BA:A532 (talk) 11:26, 29 May 2024 (UTC)
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Editing a biography about yourself is acceptable only if you are removing unambiguous vandalism or clear-cut and serious violations of our biography of living persons policy.'''[[User:CanonNi]]''' (talk • contribs) 12:54, 1 June 2024 (UTC)
Another Wrong label: "If the article you are editing is already using a particular citation style, you should follow it; if you believe it is inappropriate for the needs of the article, seek consensus for a change on the talk page. If you are the first contributor to add citations to an article, you may choose whichever style you think best for the article." (https://en.wikipedia.org/wiki/Wikipedia:Citing_sources#Citation_style)ForTupan (talk) 15:46, 29 May 2024 (UTC)
I don't know who is making the changes to the article that put its neutrality and integrity at risk, but please let me, as a major and neutral contributor, as well as the other experienced Wikipedians, improve the article as needed and Wikipedia standards. Thank you for your cooperation!ForTupan (talk) 05:20, 30 May 2024 (UTC)
Greetings to all. To avoid conflicts of interest caused by the similarity of my name to that of the Wikipedia article, I will stop editing this page directly. In any case, I present you below the source that contains all the information for the development of the article and citing the sources. It is about the General Dictionary of Romanian Literature, source no. 6 in the article. I used Google translate to translate from Romanian to English, so it is not an original text and does not violate copyright. For you, English Wikipedians, it will be easy to select the passages that you think should be included in the article, in order to make a quality article. Thank you!
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TUPAN, Maria-Ana (19.1V.1949, Sărulești, Buzău district), literary critic and historian, translator. She is the daughter of Margareta (née Constantin) and Spiridon Iordache, a priest. He attended primary school in his hometown (1956-1963), later graduating from the "Mihai Eminescu" High School in Buzău (1967) and the Faculty of German Languages of the University of Bucharest (1972), majoring in English-German. He works as editor (1972-1975) and chief editor (1975-1989) of the English version of the magazine "Romanian Books", then, starting in 1990, publicist-commentator at the magazine "Viaţa Românească". In 1991 he held an assistant position in the English Department of the Faculty of Foreign Languages and Literatures of the University of Bucharest, advancing in 2002 to the position of professor. He obtained the title of doctor in philology in 1992 with a thesis dedicated to Shakespeare's work. Between 1994 and 1995 he benefits from a Fulbright scholarship at the Pennsylvania State University in the USA. She is present in "Amphiteatru", "Convorbiri literare", "Contemporanul", "Luceafărul", "Romania literară", "Steaua", "Viaţa românească", "Astra" etc. He made his publishing debut in 1980 with King of Dreams, an anthology of translations from American prose of the 19th century. In 1996 she was awarded the Writers' Union Award for the translation of the short prose collection Sâmbure de rodie by Edith Wharton, in the 2000s she was awarded prizes from several magazines. She was married to the writer Marius Tupan. A specialist in Anglo-Saxon literature and a good connoisseur of German and French cultures, T. dedicates herself to a comparative approach to Romanian literature, being attracted by the new critical, psychocritical, pragmatic and stylistic methods, deconstruction, etc. The applications target the Romanian Middle Ages, the writers of the 19th century, the literature of the 6th and 7th decades of the last century: Marin Sorescu and deconstructivism (1995), but especially modernist literature: Modernist discourse (2000), The meaning of synchronicity (2004), Modernism and Psychology (2009) and Postmodern: Postmodern Discourse (2002), Literary Theory and Practice at the Turn of the Millennium (2010). Enunciated since Scenarios and Poetic Languages (1989), the idea that will guide his research is that of the existence of a correlation between literary styles and the ideological and scientific representations of an era. It is a search, through means that will vary from one study to another, of some invariants of literature, something that will systematically involve the construction of a double approach, at the same time stylistic and epistemological. In the 1989 volume, in relation to Orphism, Hermeticism and Monism, the sketch of a tripartite literary typology is proposed, made up of the Orphic poet (Lucian Blaga), the Hermetic poet (Ion Barbu, Sorin Mărculescu) and the monist poet (Nichita Stănescu, Cezar Baltag, Aurel Bad). In the same spirit, The Sense of Synchronism contains a comparative analysis of Neagoe Basarab's Teachings to his son Theodosius and James Stuart VI of Scotland's governing treaty Basilicon Doron, a reading of Demetrius Cantemir's Hieroglyphic History as a sum of Renaissance genres , a placement of Othello between Bacon and the Koran and, proposing them as illustrations of a "Postmodern Renaissance", a confrontation between the Monk Filippo Lippi of D.R. Popescu and John Barth's Floating Opera. Influenced by Peter Nicholls's reflections on the ideological conditioning of styles and Christopher Butler's on the correspondence between artistic techniques and moods, Modernist Discourse and Postmodern Discourse propose a definition of the codes that regulate the generic functioning of the two aesthetic paradigms. Most often T. analyzes canonical texts, confirming, with his own tools, already known positions, but he also does novel genealogy and cultural lineage exercises. An 1888 article by Titu Maiorescu, From experience, is read as an intuitive foreshadowing of what discourse interpretation calls "lexical chains", while Tudor Vianu's aesthetic method is seen as a form of cultural materialism, in the lineage of Karl Marx, Hippolyte Taine or Mikhail Bakhtin. The same taste of discovery belongs to the consistent portrait that T.i makes in Modernism and psychology of Nicolae Vaschide, the son of a merchant from Buzo, whose sentimental gymnastics has similarities with some ideas in circulation in the Western space in the first half of the 20th century. lea (Wilhelm Wundt, Gabriel Tarde, William James, Alfred Binet). Following the reflexes of physiological psychology and pragmatism in Romanian modernist literature, especially the way in which the principle of psycho-physical parallelism is illustrated, the study Modernism and psychology is largely dedicated to the literature of V. Voiculescu, commented through the prism of an influence exerted by such the European schools of psychology, as well as an approach to Vaschide's ideas. Within the framework of the same interdisciplinary approach to literature, but oriented towards the principles of quantum physics, there is Literary Discourses of the New Physics (2010), conceived as a larger project, which also includes the theory and practice of literature at the beginning of the millennium (2010, in collaboration with Marin Cilea), a series of small applications on the text that establish, punctually, relationships between certain narrative cartographies and the laws that regulate the quantum universe: the novel Francesca by Nicolae Breban is read as "invasive fiction", in Ora 25, the novel by Constantin Virgil Gheorghiu, and in Florin Manolescu's Mentalisti, the construction of a "reversible time" is identified, as in the novels of Aura Christi, the existence of a "psychic autogenerator" is found. T. also signed a series of translations, mainly from American literature: psychological prose (Edith Wharton, William Dean Howells, Henry James), SF writings (Isaac Asimov) and fantastic prose, of which he published in 1984, in two volumes, a comprehensive anthology.
Bibliographic references: Cristian Moraru, Poetic modernity — structures and languages, RL, 1990, 11; Ion Pop, "Scenarios and poetic languages", ST, 1990, 5; Monica Spiridon, [Maria-Ana Tupan], LCE 1995, 34, R, 1999, 2; Mihai Cimpoi, Marin Sorescu in the (de)construction of criticism, LCE, 1999, 37; Olimpia Iacob, A performing analyst (-ID), CL, 2000, 6, 7; Teodor Vârgolici, Studies about Romanian modernism, ALA, 2001, 557; Gheorghe Grigurcu, [Maria-Ana Tupan), RL, 2001, 35, 2003, 5, 2010, 10; Geo Vasile, [Maria-Ana Tupan], RL, 2001, 35, CNT, 2001, 42, VR, 2003, 8-9; Dict. written. Rom., IV, 609; Radu Voinescu, Among the dangers of criticism, Constanta, 2004, 139-144; Cristian Livescu, Magisters & hermeneutics, cowards, 2007, 333-360; Ștefan Vlăduţescu, How modernism was impregnated with psychology, R, 2010, 4; Iulian Boldea, Criticism of empathy, LRC, 2011, 1-2.ForTupan (talk) 07:54, 30 May 2024 (UTC) |
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