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"Season of the Witch" is a song by Scottish singer-songwriter Donovan released in August 1966 on his third studio album, Sunshine Superman. The song is credited to Donovan, although sometime collaborator Shawn Phillips has also claimed authorship.[5] Because of a dispute with Donovan's record company, a UK edition with the song was not released until June 1967. In 2019, Lana Del Rey covered the song for the soundtrack of the film Scary Stories to Tell in the Dark.
| "Season of the Witch" | |
|---|---|
| Song by Donovan | |
| from the album Sunshine Superman | |
| Released | 26 August 1966[1] |
| Recorded | 1966 |
| Studio | Columbia (Hollywood) |
| Genre | |
| Length | 4:56 |
| Label | Epic |
| Songwriter(s) |
|
| Producer(s) | Mickie Most |
"Season of the Witch" was recorded at the CBS studios in Hollywood, California, where most of Sunshine Superman was recorded.[6] According to Donovan, he and Phillips wanted a "rock-combo sound" for the song and chose some local musicians from the local clubs.[6] They included Lenny Matlin on keyboards, Don Brown on lead electric guitar, Bobby Ray on bass and "Fast" Eddie Hoh on drums.[6] Donovan played the second guitar part, as he explained in his autobiography:
I played a white Fender Telecaster Electric Guitar on "Witch," chunking down on the chord pattern, wailing a chilling chorus. A major seventh with an open G, to D 9th with a G-flat bass (Bert Jansch chord). The riff is pure feel.[6]
Donovan does not mention the involvement of Jimmy Page and John Paul Jones. At the time, the two future Led Zeppelin members were popular London session musicians and played on other Donovan sessions, including in 1968 for some tracks on The Hurdy Gurdy Man, though Page did not play on the title track of the album; guitarist Alan Parker played all the electric guitar and electric sitar parts on it. However, their exact contributions, if any, to "Season of the Witch" are unknown.[7]
In a retrospective song review for AllMusic, Lindsay Planer commented: "Few songs so perfectly reflect the dawn of the psychedelic pop era as aptly as Donovan's 'Season of the Witch' ... Both lyrically as well as musically, the languid and trippy contents project a dark foreboding atmosphere [and] a sort of sinister tale of paranoia and the paranormal".[7] John Bush called the song "easily [one of the two] the highlights of the album ... a chugging eve-of-destruction tale".[8]
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