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Rabbits is a 2002 series of eight short horror web films written and directed by David Lynch, although Lynch himself referred to it as a sitcom. It depicts three humanoid rabbits played by Scott Coffey, Laura Elena Harring and Naomi Watts in a room.[note 1] Their disjointed conversations are interrupted by a laugh track. Rabbits is presented with the tagline "In a nameless city deluged by a continuous rain... three rabbits live with a fearful mystery".
| Rabbits | |
|---|---|
Screenshot illustrating the three rabbits in the single set. | |
| Directed by | David Lynch |
| Written by | David Lynch |
| Starring | Scott Coffey Laura Harring Naomi Watts Rebekah Del Rio |
| Music by | Angelo Badalamenti |
Release date |
|
Running time | 50 minutes (web version) 43 minutes (DVD version) |
| Country | United States |
| Language | English |
Originally consisting of a series of eight episodes (of a maximum of 15 minutes each)[1] shown exclusively on Lynch's website, Rabbits is no longer available there. The films are now only available on DVD in the "Lime Green Set" collection of Lynch's films, in a re-edited four-episode version. The set also does not contain episode three. As of 2020, Lynch had been occasionally uploading the original episodes to YouTube. The setting and some footage of the rabbits were reused in Lynch's Inland Empire.
Rabbits takes place entirely within a single box set representing the living room of a house. Within the set, three humanoid rabbits enter, exit, and converse. One, Jack, is male and wears a suit. The other two, Suzie and Jane, are female, one of whom wears a dress, the other a dressing gown. The audience watches from about the position of a television set. In each episode, the rabbits converse in apparent non sequiturs. The lines evoke mystery, and include "Were you blonde?", "Something's wrong.", "I wonder who I will be.", "I only wish they would go somewhere.", "It had something to do with the telling of time.", and "No one must find out about this." The disordered but seemingly related lines the rabbits speak suggest that the dialogue could be pieced together into sensible conversations, but concrete interpretations are elusive.
Some of the rabbits' lines are punctuated by a seemingly random laugh track, as if being filmed before a live audience. In addition, whenever one of the rabbits enters the room, the unseen audience whoops and applauds at great length, much like in a sitcom. The rabbits themselves, however, remain serious throughout.
In some episodes, mysterious events take place, including the appearance of a burning hole in the wall and the intrusion of a strange, demonic voice coupled with sinister red lighting. Three episodes involve a solo performance by one rabbit, in which they recite strange poetry, as if performing a demonic ritual.[2]
The rabbits receive a telephone call at one point, and later, at the climax of the series, a knock is heard at the door. When the door is opened, a loud scream is heard and the image is distorted. After the door closes, Jack says that it was "the man in the green suit". The last episode concludes with the rabbits huddled together on the couch and Jane saying: "I wonder who I will be."
Lynch filmed Rabbits in a set built in the garden of his house in the Hollywood Hills.[4][5] Filming took place at night in order to control the lighting. Lynch says that filming Watts, Harring and Coffey with the set lit up by enormous lights was "a beautiful thing".[6] However, the process generated a lot of noise that echoed from the surrounding hills and annoyed Lynch's neighbors.[7]
The film was shot digitally,[8] with three cameras,[5] and mostly from one single camera position.[9]
As with most of Lynch's films, the score was composed by Angelo Badalamenti.[8]
Rabbits received positive reviews, praising the production for its lighting, sound design and scary atmosphere.[10][11]
Dave Kehr noted in The New York Times that it was Alain Resnais who first put giant rodent heads on his actors in his 1980 film Mon oncle d'Amérique,[12] and the rabbits' dialogue was reminiscent of Resnais' Last Year at Marienbad. The dialogue has been compared to the writing of Samuel Beckett.[13][14] The use of lighting to create shadows and set an uneasy atmosphere has been noted by various commentators.[15][16][17][18]
A comment in The Artifice indicated that the shorts could be approached as a genuine sitcom: 'It is not merely parody or satire; it exists as perhaps the most bizarre and arguably literal sitcom imaginable, though still an opposing force that challenges and defamiliarizes basic concepts. The bare-bone necessities are present, and are presented appropriately, but in our minds we acknowledge that there is something distinct about it from familiar sitcoms, yet we are still able to recognize it as such, a sitcom."[19] Greg Olson wrote that with Rabbits, Lynch had explored "the existential mystery of daily domesticity".[20] For Martha Nochimson, the three main characters are "icons of faith".[21]
Lynch used some of the Rabbits footage as well as previously unseen footage featuring Rabbits characters (although unnamed this time)[21] in his film Inland Empire (2006). Lynch also used the Rabbits set to shoot several scenes involving human characters in the same film. In Inland Empire, excerpts from Rabbits appear but the rabbits are associated with three mysterious Polish characters who live in a house in the woods.[22][23]
Most of Rabbits can be found on the "Mystery disk"[24] in the 10-DVD collection The Lime Green Set released by Absurda in 2008.[25] This DVD features seven of the eight episodes, though several of the episodes have been edited together. "Episode 1" on the DVD contains "Episode 1", "Episode 2" and "Episode 4" from the website. "Episode 2" on the DVD contains "Episode 6" and "Episode 8" from the website. "Scott" and "Naomi" are the same as "Episode 5" and "Episode 7", respectively. "Episode 3" from the website does not appear on the disc. The DVD's running time is 43 minutes[26] instead of the original 50 minutes. The other seven minutes consist of title and credit sequences for each individual episode that were edited out.[27]
Rabbits was used as a stimulus in a psychological experiment on the effects of acetaminophen on existential crisis.[28] The research, in a paper entitled "The Common Pain of Surrealism and Death", suggested that acetaminophen acted to suppress the compensatory desire to affirm systems of meaning that the act of viewing surrealist works has been shown to produce.[29]
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