Classical Greek culture, especially philosophy, had a powerful influence on ancient Rome, which carried a version of it throughout the Mediterranean and much of Europe. For this reason, Classical Greece is generally considered the cradle of Western civilization, the seminal culture from which the modern West derives many of its founding archetypes and ideas in politics, philosophy, science, and art. (Full article...)
The United Nations Educational, Scientific and Cultural Organization (UNESCO) designates World Heritage Sites of outstanding universal value to cultural or natural heritage which have been nominated by countries which are signatories to the UNESCO World Heritage Convention, established in 1972. Cultural heritage consists of monuments (such as architectural works, monumental sculptures, or inscriptions), groups of buildings, and sites (including archaeological sites). Natural features (consisting of physical and biological formations), geological and physiographical formations (including habitats of threatened species of animals and plants), and natural sites which are important from the point of view of science, conservation or natural beauty, are defined as natural heritage. Greece ratified the convention on 17 July 1981, making its natural and cultural sites eligible for inclusion on the list.
Greece has 19 properties in Greece inscribed on the World Heritage List, 17 of which are cultural sites and two (Meteora and Mount Athos) are mixed, listed for both their natural and cultural significance. The first site added to the list was the Temple of Apollo Epicurius at Bassae, in 1986. The next two sites listed were the Archeological site of Delphi and the Acropolis of Athens, in the following year. Five sites were added in 1988, two in 1989 and 1990 each, one in 1992, one in 1996, two in 1999, and one in 2007. The most recent site added was the Zagori Cultural Landscape, in 2023. There are no transnational sites in Greece. In addition, there are 13 sites on the tentative list, all of which were nominated in 2014.
Pindar (/ˈpɪndər/; Greek: ΠίνδαροςPindaros[píndaros]; Latin: Pindarus; c.518 BC– c.438 BC) was an Ancient Greek lyric poet from Thebes. Of the canonicalnine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
Pindar was the first Greek poet to reflect on the nature of poetry and on the poet's role. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the Classical period. Like other poets of the Archaic Age, he has a profound sense of the vicissitudes of life, but he also articulates a passionate faith in what men can achieve by the grace of the gods, most famously expressed in the conclusion to one of his Victory Odes: (Full article...)
Image 7Early Athenian coin, depicting the head of Athena on the obverse and her owl on the reverse – 5th century BC. (from Ancient Greece)
Image 8The Parthenon, a temple dedicated to Athena, located on the Acropolis in Athens, is one of the most representative symbols of the culture and sophistication of the ancient Greeks. (from Ancient Greece)
Image 10Geometric-style box in the shape of a barn. On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus. From early geometric cremation burial of a wealthy pregnant woman, 850 BC. (from Greek Dark Ages)
Image 19An Ancient Greek pair of terracotta boots. Early geometric period cremation burial of a woman, 900 BC. Ancient Agora Museum in Athens. (from Greek Dark Ages)
Image 28Map showing the major regions of mainland ancient Greece and adjacent "barbarian" lands. (from Ancient Greece)
Image 29Finds from an early geometric Cremation Burial of a pregnant wealthy woman, from the N.W. of the Areopagus, about 850 BC, Ancient Agora Museum (Athens); exhibit 14–16: broad gold finger rings; exhibit 17–19: gold finger rings; 20: pair of gold earrings with trapezoid endings (from Greek Dark Ages)
Image 33The gymnasium and palaestra at Olympia, the site of the ancient Olympic games. The archaic period conventionally dates from the first Olympiad. (from Archaic Greece)