Journalism is the production and distribution of reports on the interaction of events, facts, ideas, and people that are the "news of the day" and that informs society to at least some degree of accuracy. The word, a noun, applies to the occupation (professional or not), the methods of gathering information, and the organizing literary styles.
The appropriate role for journalism varies from country to country, as do perceptions of the profession, and the resulting status. In some nations, the news media are controlled by government and are not independent. In others, news media are independent of the government and operate as private industry. In addition, countries may have differing implementations of laws handling the freedom of speech, freedom of the press as well as slander and libel cases.
The proliferation of the Internet and smartphones has brought significant changes to the media landscape since the turn of the 21st century. This has created a shift in the consumption of print media channels, as people increasingly consume news through e-readers, smartphones, and other personal electronic devices, as opposed to the more traditional formats of newspapers, magazines, or television news channels. News organizations are challenged to fully monetize their digital wing, as well as improvise on the context in which they publish in print. Newspapers have seen print revenues sink at a faster pace than the rate of growth for digital revenues. (Full article...)
Unomásuno (English: One Plus One) is a Mexican daily tabloid newspaper circulated in Mexico City. Formed in 1977 by former employees of Mexico City's daily newspaper Excélsior, it became one of the leading leftist newspapers in Mexico during the late 1970s and early 1980s. The newspaper covered investigative topics that were often avoided by the rest of the Mexican press at the time, and it was a harsh critic of the Mexican government. By the mid-1980s, disagreements over the newspaper's management style led to internal divisions. Those who disagreed with Unomásuno and its future initiatives left in 1984 and formed La Jornada, another leftist daily in Mexico City.
In the late 1980s, Unomásuno was a victim of a backlash from the Mexican government for publishing articles highlighting a growing opposition faction within Mexico's dominant political party, the Institutional Revolutionary Party (PRI). Its founder was threatened with prison for tax evasion, and the newspaper was forced to pay hefty fines. In 1989, its founder sold the newspaper to a PRI-affiliated businessman. Under the new ownership, Unomásuno became a propaganda organ for the PRI and published articles criticizing leftist opposition groups. Its circulation declined drastically over the years, and although Unomásuno was resold in 1998, it continued to experience financial difficulties. (Full article...)
Caroline Rémy de Guebhard (27April1855– 24April1929) was a French anarchist, journalist, and feminist, best known under the pen name Séverine. She was associated with Jules Vallès and became involved in his socialist publication Cri du Peuple, taking control of the newspaper when his health deteriorated. She left in 1888 after a confrontation with Marxist journalist Jules Guesde, but continued to write for other publications, promoting women's emancipation and denouncing social injustices.
This picture of Rémy is a carte de visite taken by French photographer Nadar sometime between 1889 and 1899. The photograph, entitled "Séverine, debout, un poing sur la hanche" ('Séverine, standing, a fist on her hip'), is in the collection of the Bibliothèque Marguerite Durand in Paris.
...that Chen Chi-li, late head of Taiwan's United Bamboo Gang, claimed to have killed dissident journalist Henry Liu out of patriotism, and refused the $20,000 payout he was offered?
Robert Charles Benchley (September 15, 1889 – November 21, 1945) was an American humorist best known for his work as a newspaper columnist and movie actor. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from his peers at the Algonquin Round Table in New York City to contemporaries in the burgeoning film industry.
Benchley is remembered best for his contributions to the magazine The New Yorker; his essays for that publication, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short movie How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards. He also made many memorable appearances acting in movies such as Alfred Hitchcock's Foreign Correspondent (1940) and Nice Girl? (1941). Also, Benchley appeared as himself in Walt Disney's behind the scenes movie, The Reluctant Dragon (1941). His legacy includes written work and numerous short movie appearances. (Full article...)
Image 15"Geronimo's camp before surrender to General Crook, March 27, 1886: Geronimo and Natches mounted; Geronimo's son (Perico) standing at his side holding baby." By C. S. Fly. (from Photojournalism)
Image 47The Statute was adopted as the constitution of the Kingdom of Italy, granting freedom of the press. (from Freedom of the press)
Image 48Barricades on rue Saint-Maur (1848), the first photo used to illustrate a newspaper story (from Photojournalism)
Selected quote
[This is] the most important question relating to the reporter's privilege: Who's entitled to claim it? When the privilege started, it was meant to cover the establishment press: the New York Times, the Washington Post, the major television networks. But as our media have become more diverse and more diffuse, the question of who is a member of the press, and so who gets to claim the privilege, has really come to the fore. Is the blogger entitled to claim it? And if the blogger is, then why not you, and me, and everybody else in the world? And once that happens, there's a real problem for prosecutors seeking to obtain information. So the question of whether you can draw lines in this area, and if so how, is the real question of privilege.
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Murphy, Lawrence William. "An Introduction to Journalism: Authoritative Views on the Profession", 1930. T. Nelson and sons Journalism. Original from the University of California. Digitized Oct 23, 2007.