No Quarter (song)
1973 song by Led Zeppelin From Wikipedia, the free encyclopedia
"No Quarter" is a song by English rock band Led Zeppelin that appears on their 1973 album Houses of the Holy. It was written by John Paul Jones, Jimmy Page, and Robert Plant. The song became a centerpiece at all Led Zeppelin concerts thereafter, until their final tour. It appears in both the film versions and both live album versions of The Song Remains the Same, released in 1976 and expanded in 2007. It appeared once more in 1994 on Page and Plant's reunion album as the title track. It also appears on Led Zeppelin's 2012 live album Celebration Day, which documented their 2007 reunion performance at the O2 Arena in London. It was re-released on the deluxe edition of Houses of the Holy.
| "No Quarter" | |
|---|---|
| Song by Led Zeppelin | |
| from the album Houses of the Holy | |
| Released | 28 March 1973 |
| Recorded | 1971–72 |
| Studio | Island, London |
| Genre | |
| Length | 7:03 |
| Label | Atlantic |
| Songwriter(s) | |
| Producer(s) | Jimmy Page |
| Audio sample | |
Although an early version was recorded at the Led Zeppelin IV album sessions,[4] "No Quarter" was recorded (the basic tracks at least) in December 1971 at Island Studios, London.[5] Andy Johns engineered the track and mixed it at Olympic Studios, London. The version that made it onto the album evolved out of a faster version Led Zeppelin had recorded earlier at Headley Grange, an old mansion in east Hampshire, England.[6] Jimmy Page applied vari-speed to drop the whole song a semi-tone, to give it a thicker and more intense mood.[7] In addition to the pitch change, the album version featured a very highly compressed guitar track, giving it a tone unique to Led Zeppelin. The guitar solo effect was achieved by direct injection and compression.[6]
The title is derived from the military practice of showing no mercy to a vanquished opponent and from the brave act of not asking for mercy when vanquished. This theme is captured in several of the song's lyrics. Like "Immigrant Song" two albums prior, it evokes imagery from the Vikings and Norse mythology, with lyrics such as “the winds of Thor are blowing cold.”
Record producer Rick Rubin remarked on the song's structure, "It takes such confidence to be able to get really quiet and loose for such a long time. [Led] Zeppelin completely changed how we look at what popular music can be."[8]
From 1973, "No Quarter" became a centerpiece at Led Zeppelin concerts, being played at virtually every show the band performed until 1980 (it was eventually discarded on their final tour "Over Europe" in that year).[6]
During live performances, John Paul Jones frequently improvised on keyboards and performed parts of classical music. On the band's ninth North American tour in 1973, performances of the song lasted twice the length of the studio version. On Led Zeppelin's concert tours from 1975 onward, Jones would also play a short piano solo (on a Steinway B-211 grand piano) frequently turning the seven-minute song into a performance exceeding twenty and sometimes even thirty to thirty-five minutes, in a handful of cases.[9] Page and John Bonham would always join him later in the song. He was particularly fond of playing Rachmaninoff pieces, but sometimes included Joaquín Rodrigo's Concierto de Aranjuez and "Amazing Grace" as part of an extended medley.[10]
The American rock band Tool covered "No Quarter" for the soundtrack to Howard Stern's Private Parts (based on the 1993 book of the same name). The use of the song in the soundtrack fell through due to Tool's decision to not allow use of the song in the film, leading to criticism by Stern. The cover eventually went on to be included in Tool's 2000 box set, Salival.[11]
Since 2011, "No Quarter" has been a live staple of the band Phish.[12]
In a contemporary review for Houses of the Holy, Gordon Fletcher of Rolling Stone gave "No Quarter" a negative review, describing the track, along with "The Rain Song", as "nothing more than drawn-out vehicles for the further display of Jones' unknowledgeable use of mellotron and synthesizer."[13]
According to Jean-Michel Guesdon and Philippe Margotin:[14]
- Robert Plant – vocals
- Jimmy Page – electric guitars
- John Paul Jones – bass pedal (?), EMS VCS3, electric piano, piano
- John Bonham – drums
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