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Roman goddess of the Moon From Wikipedia, the free encyclopedia
In Sabine and ancient Roman religion and myth, Luna is the divine embodiment of the Moon (Latin Lūna [ˈɫ̪uːnä]). She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.[2]
| Luna | |
|---|---|
Goddess of the Moon | |
Luna (AD 150–200, Musée d'Art et d'Histoire de Genève) | |
| Planet | Moon[1] |
| Symbol | Chariot, crescent moon |
| Day | Monday (dies Lunae) |
| Temples | Aventine Hill, Palatine Hill |
| Genealogy | |
| Siblings | Sol, Aurora |
| Equivalents | |
| Greek | Selene |
| Indo-European | Meh₁not |
In Roman art, Luna attributes are the crescent moon plus the two-yoke chariot (biga). In the Carmen Saeculare, performed in 17 BC, Horace invokes her as the "two-horned queen of the stars" (siderum regina bicornis), bidding her to listen to the girls singing as Apollo listens to the boys.[3]
Varro categorized Luna and Sol among the visible gods, as distinguished from invisible gods such as Neptune, and deified mortals such as Hercules.[4] She was one of the deities Macrobius proposed as the secret tutelary of Rome.[5] In Imperial cult, Sol and Luna can represent the extent of Roman rule over the world, with the aim of guaranteeing peace.[6]
Luna's Greek counterpart was Selene. In Roman art and literature, myths of Selene are adapted under the name of Luna. The myth of Endymion, for instance, was a popular subject for Roman wall painting.[7]
Varro lists Luna among twelve deities who are vital to agriculture,[8] as does Vergil in a different list of twelve, in which he refers to Luna and Sol as clarissima mundi lumina, the world's clearest sources of light.[9] Varro also lists Luna among twenty principal gods of Rome (di selecti).[10] In this list, Luna is distinguished from both Diana and Juno, who also appear on it.
The Romans dated the cultivation of Luna as a goddess at Rome to the semi-legendary days of the kings. Titus Tatius was supposed to have imported the cult of Luna to Rome from the Sabines,[11] but Servius Tullius was credited with the creation of the Temple of Luna on the Aventine Hill, just below a temple of Diana.[12] The anniversary of the temple founding (dies natalis) was celebrated annually on March 31.[13] It first appears in Roman literature in the story of how in 182 BC a windstorm of exceptional power blew off its doors, which crashed into the Temple of Ceres below it on the slope.[14] In 84 BC, it was struck by lightning, the same day the popularis leader Cinna was murdered by his troops.[15] The Aventine temple may have been destroyed by the Great Fire of Rome during the reign of Nero.[16]
As Noctiluna ("Night-Shiner") Luna had a temple on the Palatine Hill, which Varro described as shining or glowing by night. Nothing else is known about the temple, and it is unclear what Varro meant.[17]
The Kalends of every month, when according to the lunar calendar the new moon occurred, was sacred to Juno, as all Ides were to Jupiter.[18] On the Nones, she was honored as Juno Covella, Juno of the crescent moon.[19] Both Juno and Diana were invoked as childbirth goddesses with the epithet Lucina.[20]
Luna is often depicted driving a two-yoke chariot called a biga, drawn by horses or oxen. In Roman art, the charioteer Luna is regularly paired with the Sun driving a four-horse chariot (quadriga).
Isidore of Seville explains that the quadriga represents the sun's course through the four seasons, while the biga represents the Moon, "because it travels on a twin course with the sun, or because it is visible both by day and by night—for they yoke together one black horse and one white."[21]
Luna in her biga was an element of Mithraic iconography, usually in the context of the tauroctony. In the mithraeum of S. Maria Capua Vetere, a wall painting that uniquely focuses on Luna alone shows one of the horses of the team as light in color, with the other a dark brown.[22]
A biga of oxen was also driven by Hecate, the chthonic aspect of the triple goddess in complement with the "horned" or crescent-crowned Diana and Luna.[23] The three-form Hecate (trimorphos) was identified by Servius with Luna, Diana, and Proserpina.[24] According to the Archaic Greek poet Hesiod, Hecate originally had power over the heavens, land, and sea, not as in the later tradition Heaven, Earth, and underworld.[25]
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