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This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Urban Prefecture of Kyōto.[1]
As of 1 September 2015, four hundred and eighty-two Important Cultural Properties (including forty-four *National Treasures) have been designated, being of national significance.[2][3]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
*Enma-ten, colour on silk 絹本著色閻魔天像 kenpon chakushoku Enma-ten zō | Kamakura period | Fushimi-ku | Daigo-ji | 129.1 centimetres (50.8 in) by 65.5 centimetres (25.8 in) | 34°57′04″N 135°49′10″E | |||
Shaka Nyorai, colour on silk The Ten Principle Disciples, colour on silk 絹本著色釈迦如来像 一 絹本著色十大弟子像 二 kenpon chakushoku Shaka Nyorai zō ichi kenpon chakushoku jū dai deshi-zō ni | Goryeo, Kamakura period | Kyoto (Sakyō-ku) | Zenrin-ji | Goryeo Buddhist painting | 177.9 centimetres (70.0 in) by 106.9 centimetres (42.1 in) (Amida) | 35°00′52″N 135°47′43″E | ||
Partition paintings from the Oku Shoin and Genkan-no-ma 奥書院及玄関之間障壁画 oku shoin oyobi genkan no ma shōhekiga | Momoyama period | Kyoto (Kamigyō-ku) | Myōren-ji (妙蓮寺) | thirty-eight panels | 35°01′52″N 135°42′50″E | |||
Partition paintings from the Former Enman-in Shinden 旧円満院宸殿障壁画 kyū-Enman-in shinden shōhekiga | Edo period | Kyoto | Kyoto National Museum | six panels | 34°59′24″N 135°46′25″E | |||
Paulownia and bamboo, colour on gold ground Young pine, colour on gold ground Podocarpus and crab apple, colour on gold ground 金地著色桐ニ竹図〈床間貼付三/襖貼付四〉 金地著色若松図〈違棚壁貼付三/〉 金地著色槇ニ海棠図〈襖貼付四/〉 kinji chakushoku kiri ni take zu kinji chakushoku waka matsu zu kinji chakushoku maki ni kaidō zu | Momoyama period | Kyoto (Sakyō-ku) | Hōnen-in (法然院) | seven panels (four in the tokonoma and three fusuma), three panels (on the chigaidana wall), and four panels (on fusuma) respectively | 35°01′26″N 135°47′51″E | |||
Pine and Plum, colour on gold ground, two-panel byōbu 金地著色松ニ梅図〈/二曲屏風〉 kinji chakushoku matsu ni ume zu (nikyoku byōbu) | Momoyama period | Kyoto (Higashiyama-ku) | Chishaku-in (智積院) | pair of screens | 34°59′14″N 135°46′35″E | |||
Pines, colour on gold ground, attributed to Sōtatsu 金地著色松図〈伝宗達筆/襖貼付 八/戸襖貼付 四〉 kinji chakushoku matsu zu (den-Sōtatsu hitsu) | Edo period | Kyoto (Higashiyama-ku) | Yōgen-in (養源院) | twelve panels | 34°59′16″N 135°46′25″E | |||
Tai Gong Wang, colour on gold ground, two-panel byōbu, by Ogata Kōrin 金地著色太公望図〈尾形光琳筆/二曲屏風〉 kinji chakushoku Tai Kōbō zu (Ogata Kōrin hitsu / nikyoku byōbu) | early Edo period | Kyoto | Kyoto National Museum | 166.6 centimetres (65.6 in) by 180.2 centimetres (70.9 in) | 34°59′24″N 135°46′25″E | |||
Pines on the Strand, colour on gold ground 金地著色浜松図 kinji chakushoku hamamatsu zu | Edo period | Kyoto (Higashiyama-ku) | Shōren-in | seventeen panels | 35°00′26″N 135°47′00″E | |||
Peonies, colour on silk 絹本著色牡丹図 kenpon chakushoku botan zu | Yuan dynasty | Kyoto (Kita-ku) | Kōtō-in | pair of scrolls | 35°00′19″N 135°46′56″E | |||
Peonies, colour on silk 絹本著色牡丹図 kenpon chakushoku botan zu | Yuan dynasty | Kyoto (Higashiyama-ku) | Chion-in | 35°00′19″N 135°46′56″E | ||||
Amitabha Sutra Mandala, colour on silk 絹本著色阿弥陀経曼荼羅図 kenpon chakushoku Amida-kyō mandara zu | Kamakura period | Kyoto (Higashiyama-ku) | Chion-in | 35°00′19″N 135°46′56″E | ||||
Willow Kannon, colour on silk 絹本著色楊柳観音像〈徐九方筆/至治三年六月の年記がある〉 kenpon chakushoku Yōryū Kannon zō | 1323 | Kyoto (Sakyō-ku) | Sen-oku Hakuko Kan | Goryeo Buddhist painting | 164.8 centimetres (64.9 in) by 101.7 centimetres (40.0 in) | 35°01′03″N 135°47′34″E | ||
Sunset along the Floral Embankment, light colour on paper, by Yun Shouping 紙本淡彩花隖夕陽図〈惲南田筆/辛亥(康煕十年)の自題がある〉 shihon tansai kao sekiyō zu | 1671 | Kyoto | Kyoto National Museum | 24.2 centimetres (9.5 in) by 106.1 centimetres (41.8 in) | 34°59′24″N 135°46′25″E | |||
Xuansha Giving a Sermon, ink on silk 絹本墨画玄沙接物利生図 kenpon bokuga Gensha setsumotsu rishō zu | Yuan dynasty | Kyoto | Kyoto National Museum | 103.0 centimetres (40.6 in) by 46.0 centimetres (18.1 in) | 34°59′24″N 135°46′25″E | |||
Vimalakirti, ink on silk 絹本墨画維摩居士像 kenpon bokuga Yuima Koji zō | Southern Song | Kyoto | Kyoto National Museum | 91.5 centimetres (36.0 in) by 51.3 centimetres (20.2 in) | 34°59′24″N 135°46′25″E | |||
Returning Sails off Distant Shore, ink on paper, attributed to Muqi 紙本墨画遠浦帰帆図〈(伝牧谿筆)/〉 shihon bokuga enpo kihan zu (den-Mokkei hitsu) | Southern Song | Kyoto | Kyoto National Museum | 34°59′24″N 135°46′25″E | ||||
Kanō Tan'yū, ink on paper, attributed to Momoda Ryūei 紙本著色狩野探幽像〈(伝桃田柳栄筆)/〉 shihon chakushoku Kanō Tanyū zō (den-Momoda Ryūei hitsu) | C17 | Kyoto | Kyoto National Museum | 65.8 centimetres (25.9 in) by 48.2 centimetres (19.0 in) | 34°59′24″N 135°46′25″E | |||
Huang Chuping, ink on paper, by Sesshū, after Liang Kai 紙本墨画黄初平図〈雪舟筆/(〓梁偕)〉 shihon bokuga Kō Shohei zu (Sesshū hitsu) | Muromachi period | Kyoto | Kyoto National Museum | 30.2 centimetres (11.9 in) by 30.6 centimetres (12.0 in) | 34°59′24″N 135°46′25″E | |||
Landscape, ink and light colour on paper, by Sessō 紙本墨画淡彩山水図〈/拙宗筆〉 shihon bokuga tansai sansui zu (Sessō hitsu) | Muromachi period | Kyoto | Kyoto National Museum | 98.2 centimetres (38.7 in) by 33.2 centimetres (13.1 in) | 34°59′24″N 135°46′25″E | |||
Fine Steed, colour on paper 紙本著色駿馬図〈/周麟賛〉 shihon chakushoku shunme zu | Muromachi period | Kyoto | Kyoto National Museum | 65.8 centimetres (25.9 in) by 57.8 centimetres (22.8 in) | 34°59′24″N 135°46′25″E | |||
Small Bird on a Sasanqua, colour on paper 紙本著色山茶花小禽図 shihon chakushoku sazanka shōkin zu | Muromachi period | Kyoto | Kyoto National Museum | inscribed by Zuikei Shūhō (瑞渓周鳳) (1392-1473) | 86.5 centimetres (34.1 in) by 31.7 centimetres (12.5 in) | 34°59′24″N 135°46′25″E | ||
Otokoyama Hachiman Shrine Mandala, colour on silk 絹本著色男山八幡宮曼荼羅図 kenpon chakushoku Otokoyama Hachiman Miya mandara zu | Nanboku-chō period | Kyoto | Kyoto National Museum | 137.6 centimetres (54.2 in) by 63.6 centimetres (25.0 in) | 34°59′24″N 135°46′25″E | |||
Mounted Warrior, colour on silk 絹本著色騎馬武者像 kenpon chakushoku kiba musha zō | Nanboku-chō period | Kyoto | Kyoto National Museum | 34°59′24″N 135°46′25″E | ||||
Mokuan Shūyu, colour on silk 絹本著色黙庵周諭像 kenpon chakushoku Mokuan Shūyu zō | 1373 | Kyoto | Kyoto National Museum | 108.3 centimetres (42.6 in) by 47.5 centimetres (18.7 in) | 34°59′24″N 135°46′25″E | |||
Summer and Winter Landscapes, ink and light colour on paper, by Sesson 紙本墨画淡彩夏冬山水図〈雪村筆/〉 shihon bokuga tansai natsu fuyu sansui zu (Sesson hitsu) | Muromachi period | Kyoto | Kyoto National Museum | 34°59′24″N 135°46′25″E | ||||
Ususama Myōō, colour on silk 絹本著色鳥枢沙摩明王像 kenpon chakushoku Ususama Myōō zō | Heian period | Kyoto | Kyoto National Museum | 78.0 centimetres (30.7 in) by 58.0 centimetres (22.8 in) | 34°59′24″N 135°46′25″E | |||
Kōfukuji Mandala, colour on silk 絹本著色興福寺曼荼羅図 kenpon chakushoku Kōfukuji mandara zu | Kamakura period | Kyoto | Kyoto National Museum | 96.8 centimetres (38.1 in) by 38.8 centimetres (15.3 in) | 34°59′24″N 135°46′25″E | |||
Grazing Ox, light colour on paper 紙本淡彩放牛図 kenpon chakushoku Kōfukuji mandara zu | Muromachi period | Kyoto | Kyoto National Museum | 66.6 centimetres (26.2 in) by 36.4 centimetres (14.3 in) | 34°59′24″N 135°46′25″E | |||
Ancient Temple amid Spring Clouds, ink on paper 紙本墨画古寺春曇図 shihon bokuga koji haru gumori zu | 1431 | Kyoto | Kyoto National Museum | 34°59′24″N 135°46′25″E | ||||
Pine, Plum, and Bamboo in the Snow, ink on paper 紙本墨画雪裡三友図 shihon bokuga setsuri sanyū zu | Muromachi period | Kyoto | Kyoto National Museum | 131.5 centimetres (51.8 in) by 37.3 centimetres (14.7 in) | 34°59′24″N 135°46′25″E | |||
Farewell to a Departing Boat, ink on paper 紙本墨画舟行送別図 shihon bokuga shūkō sōbetsu zu | Muromachi period | Kyoto | Kyoto National Museum | 100.9 centimetres (39.7 in) by 29.8 centimetres (11.7 in) | 34°59′24″N 135°46′25″E | |||
View of a Lake and Mountains, light colour on paper 紙本淡彩湖山八景図〈/慧鳳賛〉 shihon tansai kozan hakkei zu (Ehō san) | C15 | Kyoto | Kyoto National Museum | with calligraphy by Kōshi Ehō (慧鳳) | 121.1 centimetres (47.7 in) by 34.6 centimetres (13.6 in) | 34°59′24″N 135°46′25″E | ||
Lotus Sutra (fragment), colour on paper, emaki 紙本著色法華経絵巻〈残闕/〉 shihon chakushoku Hoke-kyō emaki (zanketsu) | Kamakura period | Kyoto | Kyoto National Museum | 31.8 centimetres (12.5 in) by 129.3 centimetres (50.9 in) | 34°59′24″N 135°46′25″E | |||
Aizen Myōō, colour on silk 絹本著色愛染明王像 kenpon chakushoku Aizen Myōō zō | Kamakura period | Fushimi-ku | Daigo-ji | 120.9 centimetres (47.6 in) by 77.5 centimetres (30.5 in) | 34°57′04″N 135°49′10″E | |||
Amida Triad, colour on silk 絹本著色阿弥陀三尊像 kenpon chakushoku Amida sanzon zō | Kamakura period | Fushimi-ku | Daigo-ji | 99.3 centimetres (39.1 in) by 43.8 centimetres (17.2 in) | 34°57′04″N 135°49′10″E | |||
Miroku Bosatsu, colour on silk 絹本著色弥勒菩薩像 kenpon chakushoku Miroku Bosatsu zō | Kamakura period | Fushimi-ku | Daigo-ji | 94.7 centimetres (37.3 in) by 51.4 centimetres (20.2 in) | 34°57′04″N 135°49′10″E | |||
Jizō Bosatsu, colour on silk 絹本著色地蔵菩薩像 kenpon chakushoku Jizō Bosatsu zō | Kamakura period | Kyoto (Fushimi-ku) | Daigo-ji | 118.5 centimetres (46.7 in) by 54.8 centimetres (21.6 in) | 34°57′04″N 135°49′10″E | |||
Images of Kami, colour on wooden boards 板絵著色神像 ita-e chakushoku Shinzō zō | 1286 | Ōyamazaki | Hōshaku-ji (宝積寺) | four panels | 34°53′45″N 135°40′44″E | |||
Honden Door Paintings, colour on wooden boards 本殿扉絵(板絵著色) honden tobira-e (ita-e chakushoku) | Heian period | Uji | Ujigami Jinja | four panels | 34°53′31″N 135°48′41″E | |||
Ingen Oshō, colour on paper, by Kita Genki 紙本著色隠元和尚像〈元規筆/〉 shihon chakushoku Ingen Oshō zō (Genki hitsu) | Edo period | Uji | Manpuku-ji | 34°54′51″N 135°48′22″E | ||||
Iwashimizu Mandala, colour on silk 絹本著色石清水曼荼羅図 kenpon chakushoku Iwashimizu mandara zu | Kamakura period | Yawata | Shōbō-ji (正法寺) | 34°52′13″N 135°42′04″E | ||||
Nyorai, colour on silk 絹本著色如来像 kenpon chakushoku Nyorai zō | late Goryeo | Yawata | Shōbō-ji (正法寺) | Goryeo Buddhist painting | 190.0 centimetres (74.8 in) by 87.2 centimetres (34.3 in) | 34°52′13″N 135°42′04″E | ||
Hibiscus, ink on paper, attributed to Muqi 紙本墨画芙蓉図〈(伝牧谿筆)/〉 shihon bokuga fuyō-zu (den-Mokkei hitsu) | Southern Song | Kyoto (Kita-ku) | Daitoku-ji | 35°02′38″N 135°44′46″E | ||||
As of 24 March 2015, fifty-nine properties have been designated at a prefectural level.[4][5]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Myōonten, colour on silk 絹本著色妙音天像 kenpon chakushoku Myōonten zō | Muromachi period | Kyoto (Ukyō-ku) | Ninna-ji | 35°01′52″N 135°42′50″E | for all refs see | |||
Sokutai Tenjin, colour on silk 絹本著色束帯天神像(根本御影) kenpon chakushoku sokutai Tenjin zō (konpon mikage) | Nanboku-chō/Muromachi period | Kyoto (Kamigyō-ku) | Kitano Tenmangū | referred to as the archetypal view | 35°01′52″N 135°44′07″E | |||
Sokutai Tenjin, colour on silk 絹本著色束帯天神像(遺教院伝来) kenpon chakushoku sokutai Tenjin zō (Yuikyō-in denrai) | Nanboku-chō/Muromachi period | Kyoto (Kamigyō-ku) | Kitano Tenmangū | said to be from the Yuikyō-in | 35°01′52″N 135°44′07″E | |||
Partition paintings from the Hōon-ji Hondō, by Bunrin 報恩寺本堂障壁画 文麟筆 Hōonji hondō shōhekiga Bunrin hitsu | C19 | Maizuru | Hōon-ji (報恩寺) | forty-four panels | 35°26′48″N 135°25′11″E | |||
West Lake, ink on paper 紙本墨画西湖図 如奇筆 shihon bokuga seiko zu | Fukuchiyama | Tennei-ji (天寧寺) | 35°21′42″N 135°05′18″E | |||||
Shōji Shōketsu, colour on paper 紙本著色総持正傑像 shihon chakushoku Shōji Shōketsu zō | 1379 | Kyoto | Zenkyoan (禅居庵) (kept at Kyoto National Museum) | 71.3 centimetres (2 ft 4.1 in) by 33.3 centimetres (1 ft 1.1 in) | 34°59′24″N 135°46′25″E | |||
Shinran Shōnin, colour on paper 絹本著色親鸞聖人像 kenpon chakushoku Shinran Shōnin zō | 1354 | Kyoto (Shimogyō-ku) | Jōraku-ji (常楽寺) | 135.0 centimetres (4 ft 5.1 in) by 78.7 centimetres (2 ft 7.0 in) | 34°59′34″N 135°45′17″E | |||
Illustration of the Sutra on the Descent of Maitreya, colour on silk 絹本著色弥勒下生経変相図 kenpon chakushoku Miroku geshōkyō hensō zu | 1294 | Kyoto (Sakyō-ku) | Myōman-ji (妙満寺) | Goryeo Buddhist painting; inscribed 画文翰待詔李晟、至元三十一年甲午 | 227 centimetres (7 ft 5 in) by 129 centimetres (4 ft 3 in) | 35°04′03″N 135°46′28″E | ||
Kidō Chigu, colour on silk 絹本著色虚堂智愚像 kenpon chakushoku Kidō Chigu zō | Kyoto (Kita-ku) | Zuihō-in (瑞峯院) | 35°02′32″N 135°44′43″E | |||||
Hōnen Shōnin, colour on silk 絹本著色法然上人像 kenpon chakushoku Hōnen Shōnin zō | Kyoto (Sakyō-ku) | Konkaikōmyō-ji | 35°01′11″N 135°47′17″E | |||||
Tenan Myōju, colour on silk 絹本著色天庵妙受像 kenpon chakushoku Tenan Myōju zō | Nanboku-chō period | Ayabe | Ankoku-ji (安国寺) | three scrolls | 35°20′27″N 135°18′26″E | |||
Matsui Yasuyuki, colour on silk 絹本著色松井康之像 kenpon chakushoku Matsui Yasuyuki zō | Momoyama period | Kyōtango | Sōun-ji (宗雲寺) | 75.2 centimetres (29.6 in) by 35.6 centimetres (14.0 in) | 35°36′07″N 134°53′11″E | |||
Matsui Yohachirō, colour on silk 絹本著色松井与八郎像 kenpon chakushoku Matsui Yohachirō zō | Momoyama period | Kyōtango | Hōsen-ji (宝泉寺) | 89.9 centimetres (35.4 in) by 36.7 centimetres (14.4 in) | 35°38′37″N 134°54′18″E | |||
Taima Mandala, colour on silk 絹本著色当麻曼荼羅図 kenpon chakushoku Taima mandara zu | Nanboku-chō period | Kyōtango | Hongan-ji (本願寺) | 35°36′06″N 134°54′08″E | ||||
Properties designated at a municipal level include:
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Partition paintings in the Hōjō, Keitoku-in 慶徳院方丈障壁画 Keitoku-in hōjō shōhekiga | Edo period | Kyōtango | Keitoku-in (慶徳院) | forty-four panels; by Nagasawa Roshū (長沢芦洲) | 35°35′17″N 135°02′08″E | |||
Ten Kings of Hell, colour on silk 絹本著色十王図 kenpon chakushoku jūō zu | C13 | Kyōtango | Enjō-ji (縁城寺) | 35°39′34″N 135°04′09″E | ||||
Gushōshin, colour on silk 絹本著色倶生神像 kenpon chakushoku Gushōshin zō | Nanboku-chō period | Kyōtango | Enjō-ji (縁城寺) | 35°39′34″N 135°04′09″E | ||||
Nyoirin Kannon, colour on silk 絹本著色如意輪観音像 kenpon chakushoku Nyoirin Kannon zō | Nanboku-chō period | Kyōtango | Enjō-ji (縁城寺) | 84.3 centimetres (33.2 in) by 38.8 centimetres (15.3 in) | 35°39′34″N 135°04′09″E | |||
Shaka and the Sixteen Benevolent Deities, colour on silk 絹本著色釈迦十六善神像 kenpon chakushoku Shaka jūroku zenjin zō | late Kamakura period | Kyōtango | Iwaya-ji (岩屋寺) | 105.2 centimetres (41.4 in) by 78.1 centimetres (30.7 in) | 35°33′23″N 135°05′51″E | |||
Jizō Bosatsu, colour on silk 絹本著色地蔵菩薩像 kenpon chakushoku Jizō Bosatsu zō | late Kamakura period | Kyōtango | Iwaya-ji (岩屋寺) | 116.7 centimetres (45.9 in) by 43.9 centimetres (17.3 in) | 35°33′23″N 135°05′51″E | |||
Five Great Wisdom Kings, colour on silk 絹本著色五大尊像 kenpon chakushoku godaison zō | Kamakura period | Kyōtango | Iwaya-ji (岩屋寺) | 120.4 centimetres (47.4 in) by 70.5 centimetres (27.8 in) | 35°33′23″N 135°05′51″E | |||
Bishamonten, colour on silk 絹本著色毘沙門天像 kenpon chakushoku Bishamonten zō | late Kamakura period | Kyōtango | Iwaya-ji (岩屋寺) | 118.1 centimetres (46.5 in) by 57.8 centimetres (22.8 in) | 35°33′23″N 135°05′51″E | |||
Legends of the Itsuki-no-Miya Daimyōjin, colour on paper 紙本著色斎宮大明神縁起 shihon chakushoku Itsuki-no-Miya daimyōjin engi | C17 | Kyoto | Takano Jinja (竹野神社) (kept at Kyoto National Museum) | 30.4 centimetres (12.0 in) by 931.4 centimetres (30 ft 6.7 in) | 34°59′24″N 135°46′25″E | |||
Legends of Tōraku-ji, colour on paper 紙本著色等楽寺縁起 shihon chakushoku Tōrakuji engi | Momoyama period | Kyoto | Takano Jinja (竹野神社) (kept at Kyoto National Museum) | 32.0 centimetres (12.6 in) by 516.0 centimetres (16 ft 11.1 in) | 34°59′24″N 135°46′25″E | |||
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