Ellen Richter (born Käthe Weiß; 21 July 1891 – 11 September 1969) was an Austrian-Jewish[1] film actress of the silent era. She was married to Willi Wolff, who directed many of her films. Ellen Richter composed her own production company to create her films.[2] She worked primarily in Germany and was one of the foremost actresses of Weimar cinema.
![Thumb](http://upload.wikimedia.org/wikipedia/commons/thumb/7/74/Ellen_Richter_Binder.jpg/220px-Ellen_Richter_Binder.jpg)
- The Spy (1917)
- The Flyer from Goerz (1918)
- The Monastery of Sendomir (1919)
- The Toy of the Tsarina (1919)
- Superstition (1919)
- The Teahouse of the Ten Lotus Flowers (1919)
- Die Tochter des Mehemed (1919)
- Out of the Depths (1919)
- The Love of a Thief (1920)
- The Last Kolczaks (1920)
- Napoleon and the Little Washerwoman (1920)
- Princess Woronzoff (1920)
- Mary Tudor (1920)
- The White Death (1921)
- The Adventuress of Monte Carlo (1921)
- The Riddle of the Sphinx (1921)
- Lola Montez, the King's Dancer (1922)
- The Woman Worth Millions (1923)
- The Great Unknown (1924)
- Flight Around the World (1925)
- Shadows of the Metropolis (1925)
- The Great Duchess (1926)
- Maytime (1926)
- Heads Up, Charley (1927)
- The Imaginary Baron (1927)
- The Most Beautiful Legs of Berlin (1927)
- The Lady with the Tiger Skin (1927)
- Immorality (1928)
- Moral (1928)
- Police Spy 77 (1930)
- The Woman Without Nerves (1930)
- The Adventurer of Tunis (1931)
- Madame Pompadour (1931)
- The Secret of Johann Orth (1932)
- Manolescu, Prince of Thieves (1933)
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