Coming Home (Diddy – Dirty Money song)
2010 single by Diddy – Dirty Money / From Wikipedia, the free encyclopedia
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"Coming Home" is a song by American musical trio Diddy – Dirty Money, released by Bad Boy and Interscope Records on November 16, 2010 as the fourth single from their only studio album, Last Train to Paris (2010). The song contains a guest performance from American singer Skylar Grey, who co-wrote the song along with American rappers J. Cole and Jay-Z; the latter co-produced it with British record producer, Alex da Kid. A biographically written hip hop and pop ballad inspired by moments in Diddy's life, including the loss of his close friend the Notorious B.I.G., it references classic songs by Dionne Warwick, McFadden & Whitehead, and Smokey Robinson & the Miracles. Jay-Z and Kid personally gifted the song to Diddy for Last Train to Paris.
"Coming Home" | ||||
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Single by Diddy – Dirty Money featuring Skylar Grey | ||||
from the album Last Train to Paris | ||||
B-side | "Hello Good Morning" | |||
Released | November 16, 2010 (2010-11-16) | |||
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Genre | ||||
Length | 3:59 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
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Diddy – Dirty Money singles chronology | ||||
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Skylar Grey singles chronology | ||||
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Critics praised the redemptive ballad for the personal themes and lyrics which were a snapshot of Diddy's life. Praise was also given for Grey's soft vocals, which complemented the warmth of the song. An accompanying music video, directed by Rich Lee, follows the trio wandering through the desert in search of home only to find burned belongings and the shell of a home. Singled out as one of the album's highlights, "Coming Home" was promoted with live TV performances including at the American Music Awards on November 21, 2010, the WWE Tribute to the Troops concert, and the March 10, 2011, episode of American Idol which marked the first live performance of the song featuring Skylar Grey.
"Coming Home" became Diddy – Dirty Money's most commercially successful release. Along with amassing one million digital sales, it peaked at number 11 on the Billboard Hot 100, and number nine in Canada. Internationally, the single topped both Belgium Ultratip charts and the Swiss Singles Chart, as well as reaching top five in the UK. This comes in addition to breaking onto the A-playlists on British urban music radio and mainstream radio, and topping the UK R&B Singles chart for three consecutive weeks.