1500s in music

The first decade of the 16th century marked the creation of some significant compositions. These were to become some of the most famous compositions of the century.^[vague]

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1490s . 1500s in music . 1510s

Other events: 1500s . Music timeline

Events

• 1501:
  • April 28 – Bartolomeo Tromboncino receives an unhelpful letter of reference from Francesco II Gonzaga, Marquess of Mantua, after abandoning his position at the Mantua court without permission for the second time.^{[1][failed verification]}
  • May – Francisco de Peñalosa receives an increase in salary to 30,000 maravedis, the maximum paid to a singer-chaplain in the royal chapel of Ferdinand II of Aragon.^[2]
  • June 1 – Antoine Brumel is hired as a singer at the court of Philibert II, Duke of Savoy at Chambéry.^[3]
  • September – Jean Mouton begins a short tenure at the collegiate church of St André in Grenoble, teaching plainchant and polyphony to choirboys.^[4]
  • October 16 – Nikolaus Decius matriculates at Leipzig University.
  • exact date unknown – Robert Fayrfax graduates with a MusB at Cambridge University.^[5]
• 1502:
  • June 1 – Antoine de Longueval joins the chapel of Philibert II, Duke of Savoy, at a salary half again higher than any other singer.^[6]
  • exact date unknown – Adam of Fulda matriculates at the newly founded University of Wittenberg^[7]
• 1503: Pierre de la Rue, Alexander Agricola and Henry Bredemers travel to Heidelberg with the Habsburg court, where they most probably meet Arnolt Schlick.
• April 1503: Josquin des Prez leaves France and is employed by Ercole d'Este I in Ferrara; he leaves for Condé-sur-l'Escaut in April 1504.
• 1504:
  • May 3 – Josquin des Prez arrives in Condé-sur-l'Escaut to assume the post of Provost of the collegiate church of Notre Dame, recently vacated by Pierre Duwez.^[8]
  • Jacob Obrecht succeeds Josquin des Prez as maestro di capella in Ferrara.
• June 1505: After the death of Ercole d'Este and the succession of Alfonso I as Duke of Ferrara, Obrecht finds himself unemployed, but before he can secure another post, contracts the plague and dies scarcely a month after his employer.
• 1506:
  • June 5 – Heinrich Glarean begins his studies at the University of Cologne.^[9]
  • June 19 – On the recommendation of Emperor Maximilian I, Hans Buchner is appointed organist of the cathedral of Konstanz.^[10]
  • exact date unknown – Antoine Brumel settles in Ferrara, replacing Jacob Obrecht (who died in July 1505) at Alfonso I's court.
• 1507: Paul Hofhaimer settles in Augsburg, where he could be closer to Roman emperor Maximilian I whom he served as organist

Publications

See also: List of publications by Ottaviano Petrucci

• 1501: Harmonice musices odhecaton A, the first printed collection of polyphonic music, published by Ottaviano Petrucci in Venice. It was followed by two more volumes, in 1502 and 1503.
• 1502: Josquin des Prez – Misse Josquin, published by Ottaviano Petrucci, including the Missa L'homme armé super voces musicales
• 1503:
  • Antoine Brumel – 4 Masses for four voices (Venice: Ottaviano Petricci)
  • Johannes Ghiselin – Misse Ioannis Ghiselin for four voices (Venice: Ottaviano Petrucci)
  • Jacob Obrecht – Misse Obrecht for four voices (Venice: Ottaviano Petrucci)
  • Pierre de la Rue – Misse Petri de la Rue for four voices (Venice: Ottaviano Petrucci)
  • Gregoire – Ave verum corpus/Ecce panis angelorum/Bone pastor/O salutaris hostia, motet for four voices (Venice: Ottaviano Petrucci)^[11]
• 1504: Alexander Agricola – Misse Alexandri agricole (Venice: Ottaviano Petrucci)
• 1507: Francesco Spinacino – Intabolatura de lauto (two volumes), the earliest known publication of lute music
• 1508: Joan Ambrosio Dalza – Intabolatura de lauto libro quarto, published by Ottaviano Petrucci, including the earliest known publication of music for the pavane
• 1509: Franciscus Bossinensis – First book of Tenori e contrabassi intabulati col sopran in canto figurato per cantar e sonar col lauto (Venice: Ottaviano Petrucci)

Compositions

• 1501: Loyset Compère – Gaude prole regia/Sancta Catharina, ceremonial motet for five voices, written for the reception of Duke Philip the Fair, in his capacity of Governor of the Netherlands, in Paris on November 25.^[12]
• 1502: Josquin des Prez – Salve regina, for five voices.
• 1503–04: Josquin des Prez
  • Miserere mei Deus (Psalm 50/51), for five voices
  • Virgo salutiferi (motet)
• 1504: August – Bartolomeo Tromboncino, "Sì è debile il filo", frottola, and the earliest known setting of a Petrarchan canzone; later published in Petrucci's seventh book of frottolas (Venice, 1507).^[1]
• 1507: Heinrich Isaac – Virgo prudentissima, motet for six voices

Births

• 1500:
  • November 3, Benvenuto Cellini, cornettist and recorder player, best known as a goldsmith and sculptor (died February 13, 1571)
  • probable
    • Arnold von Bruck, Franco-Flemish composer (died 1554)^[13]
    • Cristóbal de Morales, Spanish composer (died 1553)^[14]
• 1502: July 27 – Francesco Corteccia, Italian composer (died 1571)
• c. 1505
  • Thomas Tallis, English composer (died 1585)^[15]
  • Christopher Tye, English composer and organist (died c. 1572)^[15]
• c. 1507: Jacques Arcadelt, Franco-Flemish composer (died 1568)

Deaths

Jacob Obrecht

• 1500: estimated – John Browne, English composer of music from the Eton Choirbook (born c. 1453)^[16]
• 1501: February 17 – Stephan Plannck, German music printer active in Italy (born c. 1457)
• 1505
  • date unknown – Adam of Fulda, German composer and theoretician (born c. 1445; plague)^[17]
  • July – Jacob Obrecht, Flemish composer (born 1457 or 1458; plague)^[18]
• 1506:
  • May 2 – Johannes von Soest, German composer (born 1448)
  • August 15 – Alexander Agricola, Flemish composer (born c. 1445; plague)
• 1507: late February – Francisco de la Torre, Spanish composer (possibly plague)

References

1. William F. Prizer, "Tromboncino [Trombonzin, Trombecin etc.], Bartolomeo", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
2. Tess Knighton, "Peñalosa [Penyalosa], Francisco de", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
3. Barton Hudson, "Brumel [Brummel, Brommel, Brunel, Brunello], Antoine", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
4. Howard Mayer Brown, Thomas G. MacCracken, and Paul L. Ranzini, "Mouton [de Holluigue], Jean", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
5. Nicholas Sandon, "Fayrfax [Fayrefax, Fairfax], Robert", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
6. Jeffrey Dean, "Longueval [Longaval, Longheval], Antoine de", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
7. Klaus Wolfgang Niemöller, "Adam von Fulda", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
8. Patrick Macey, Jeremy Noble, Jeffrey Dean, and Gustave Reese, "Josquin des Prez", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
9. Clement A. Miller, "Glarean, Heinrich [Glareanus, Henricus; Loriti]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
10. Hans Joachim Marx, "Buchner [Buschner, Puchner], Hans [Johannes] [M. Hans von Constanz]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
11. Sherr, Richard (2001). "Gregoire". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.40546.
12. Joshua Rifkin, Jeffrey Dean, and David Fallows, "Compère, Loyset", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
13. Othmar Wessely/Walter Kreyszig, "Arnold von Bruck"; Albert Dunning, "Pieter Maessens"; Norbert Böker-Heil, "Copus Caspar", Robert L. Marshall/Robin A. Leaver, "Chorale settings." Grove Music Online, ed. L. Macy (Accessed July 4–5, 2007), (subscription access) Archived 2008-05-16 at the Wayback Machine
14. "Cristóbal de Morales," in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
15. Stanford E. Lehmberg (14 July 2014). The Reformation of Cathedrals: Cathedrals in English Society. Princeton University Press. p. 211. ISBN 978-1-4008-5980-1.
16. Whent, Chris. "John Browne". www.hoasm.org (early music database). Retrieved 18 June 2020.
17. Burkhalter, A. Louis; Romain Goldron (1968). Music of the Renaissance. H. S. Stuttman Company. p. 87.
18. Martin Picker (1988). Johannes Ockeghem and Jacob Obrecht: A Guide to Research. Garland Pub. p. 49. ISBN 978-0-8240-8381-6.