Delwedd:Henry_II_of_France-François_Clouet_(altered).jpg
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![Delwedd:Henry II of France-François Clouet (altered).jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Henry_II_of_France-Fran%C3%A7ois_Clouet_%28altered%29.jpg/437px-Henry_II_of_France-Fran%C3%A7ois_Clouet_%28altered%29.jpg)
Maint llawn ((1,459 × 2,000 picsel, maint y ffeil: 993 KB, ffurf MIME: image/jpeg))
Daw'r ffeil hon o Comin Wikimedia a gellir ei defnyddio gan brosiectau eraill. Dangosir isod y disgrifiad sydd ar dudalen ddisgrifio'r ffeil yno.
Crynodeb
anhysbys: Henry II, King of France (1519-1559)
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Arlunydd |
artist QS:P170,Q4233718,P1774,Q336747 |
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Teitl | ||||||||||||||||||||||||||||
Object type |
paentiad ![]() |
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Genre |
portread ![]() |
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Depicted people |
Harri II, brenin Ffrainc ![]() |
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Dyddiad |
1559 ![]() |
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Cyfrwng |
oil on panel ![]() |
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Hyd a lled |
taldra: 39.6 cm ![]() ![]() dimensions QS:P2048,+39.6U174728 dimensions QS:P2049,+28.7U174728 |
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Casgliad |
institution QS:P195,Q1459037 |
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Y man y mae yn awr |
institution QS:P195,Q505950 |
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Rhif catalogio |
RCIN 403430 (Casgliad Brenhinol Lloegr) ![]() |
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Place of creation |
Teyrnas Ffrainc ![]() |
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Nodiadau |
English: François Clouet was trained by his father and succeeded as peintre et valet de chamber to Francis I in 1540/41. He served Henry II after the death of Francis I in 1547, but he found more patronage from Catherine de Médicis, who collected his portrait drawings. Henry II (1519-59) was the second son of Francis I and became heir to the throne when his elder brother died in 1537. He succeeded his father as King of France in 1547. He married Catherine de Médicis in 1533 when both were 14 years old. During his reign he pursued war with Charles V with the intent of recapturing Italy, but was ultimately defeated in Tuscany in 1553 at the battle of Marciano. He raised Mary, Queen of Scots at his court in the hope of securing a claim on Scotland and ultimately England. His son Francis was married to Mary in 1558. In 1559 the Peace of Cateau-Cambrésis was signed between France, Spain and England, but at the tournament to celebrate the treaty Henry was famously wounded in his eye by a lance and died. Henry continued his father’s patronage of art, architecture and literature, his reign being remembered particularly for ephemeral feats of display, such as his entrance into Rouen in 1550, which combined the skills of painters, sculptors and poets. His wife Catherine de Médicis was not only an important patron of the arts, but must have carefully managed the dissemination of the images of the late King after his death. This is a high-quality head and shoulders of Henry II produced by Clouet’s studio, probably in the year of the King’s death. The King wears the insignia of the Order of St Michel, the French rival to the Order of the Garter and the Order of the Golden Fleece. There are many versions of this portrait, all dated 1559: the best known apart from the present work are in the collections at Versailles (perhaps the highest quality), the Louvre and the Palazzo Pitti, Florence. The preparatory drawing by Clouet has been dated c.1547 (Cabinet des Estampes, Bibliothèque nationale de France, Paris) and must have served as a prototype for the full-length portrait in the Galleria Palatina, Palazzo Pitti, Florence, and for the studio copies which replicate the head and shoulders in the Pitti portrait. Following restoration of the full-length Pitti portrait, it is now considered to be one of the most important official court portraits produced in France in the sixteenth century and is thought to be by Clouet himself. It was possibly painted when Henry became King in 1547. The King has the aristocratic elegance typical of court portraiture across Europe. Its formality is as close to northern portraiture by Anthonis Mor and Jakob Seisnegger as to the refined portraits by Italian artists such as Agnolo Bronzino and Francesco Salviati. Three other Clouet drawings (British Museum, London, Hermitage, St Petersburg and Cabinet des Estampes, Bibilothèque nationale de France, Paris) are based on the Paris drawing and show the King beginning to advance in age, with a greying beard. The studio versions of his likeness, as here, show his beard beginning to go grey, but preserve the essential characteristics of the Paris drawing and the magnificent portrait in the Palazzo Pitti, Florence. (Extracted from The Royal Collection). |
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Cyfeiriadau |
Royal Collection (UK) ID: 403430 ![]() |
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Ffynhonnell/Ffotograffydd | Royal Collection RCIN 403430 | |||||||||||||||||||||||||||
Diwygiadau eraill |
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Trwyddedu
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Captions
Items portrayed in this file
yn portreadu
media type Saesneg
image/jpeg
exposure time Saesneg
0.004 eiliad
f-number Saesneg
12
focal length Saesneg
120 milimetr
ISO speed Saesneg
50
Hanes y ffeil
Cliciwch ar ddyddiad / amser i weld y ffeil fel ag yr oedd bryd hynny.
Dyddiad / Amser | Bawdlun | Hyd a lled | Defnyddiwr | Sylw | |
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cyfredol | 13:17, 2 Tachwedd 2022 | ![]() | 1,459 × 2,000 (993 KB) | Franciscus3008 | Higher resolution, same source |
22:10, 19 Ebrill 2022 | ![]() | 937 × 1,291 (472 KB) | Robert102506 | Uploaded a work by François Clouet from https://www.rct.uk/collection/themes/exhibitions/the-northern-renaissance-durer-to-holbein/the-queens-gallery-buckingham-palace/henry-ii-king-of-france-1519-1559 with UploadWizard |
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Metadata
Mae'r ffeil hon yn cynnwys gwybodaeth ychwanegol, sydd mwy na thebyg wedi dod o'r camera digidol neu'r sganiwr a ddefnyddiwyd i greu'r ffeil neu ei digido. Os yw'r ffeil wedi ei cael ei newid ers ei chreu efallai nad yw'r manylion hyn yn dal i fod yn gywir.
Gwneuthurwr y camera | Hasselblad |
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Model y camera | Hasselblad H4D-200MS |
Awdur | Nicholas Moss |
Amser dinoethi | 1/250 eiliad (0.004) |
Cymhareb yr agorfa (rhif F) | f/12 |
Cyfraddiad cyflymder ISO | 50 |
Dyddiad ac amser y cynhyrchwyd y data | 10:40, 12 Chwefror 2018 |
Hyd ffocal y lens | 120 mm |
Cyfansoddiad picseli | RGB |
Gogwydd | Normal |
Datrysiad llorweddol | 300 dpi |
Datrysiad fertigol | 300 dpi |
Meddalwedd a ddefnyddir | Adobe Photoshop CC 2015 (Windows) |
Dyddiad ac amser y newidiwyd y ffeil ddiwethaf | 11:57, 6 Mawrth 2018 |
Lleoli Y a C | Canoledig |
Rhaglen Dinoethi | Hunan-ddewis |
Fersiwn Exif | 2.1 |
Dyddiad ac amser y digido | 10:40, 12 Chwefror 2018 |
Ystyr pob cydran |
|
Cyflymder APEX y caead | 7.9657842861166 |
Agorfa APEX | 7.1699249969261 |
Maint mwyaf agorfa'r glan | 4 APEX (f/4) |
Pellter y goddrych | 1.049 medr |
Fflach | Ni daniodd y fflach |
Fersiwn Flashpix a gynhelir | 1 |
Gofod lliw | Heb ei raddnodi |
Datrysiad y plân ffocysu X | 1,666.67 |
Datrysiad y plân ffocysu Y | 1,666.67 |
Uned mesur datrysiad y plân ffocysu | 3 |
Hyd ffocal ar ffilm 35mm | 84 mm |
Modd cipio yn ôl y math o olygfa | Safonol |
Y lens a ddefnyddiwyd | HC 120 |
Rhif cyfresol y camera | DP41036028 |
Allweddeiriau | Todd White Art Documentation |
Gwybodaeth cysylltu | nick@toddwhite.co.uk
Todd White Art Photography London, , W1S 2LF England |
Fersiwn IIM | 2 |