File:Johannes_Vermeer_-_Girl_with_a_Pearl_Earring_-_WGA24666.jpg
من ويكيبيديا، الموسوعة encyclopedia
![ملف:Johannes Vermeer - Girl with a Pearl Earring - WGA24666.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Johannes_Vermeer_-_Girl_with_a_Pearl_Earring_-_WGA24666.jpg/501px-Johannes_Vermeer_-_Girl_with_a_Pearl_Earring_-_WGA24666.jpg)
الملف الأصلي (1٬000 × 1٬197 بكسل حجم الملف: 111 كيلوبايت، نوع MIME: image/jpeg)
![]() | هذا ملف من ويكيميديا كومنز. معلومات من صفحة وصفه مبينة في الأسفل. كومنز مستودع ملفات ميديا ذو رخصة حرة. |
يوهانس فيرمير: فتاة ترتدي قرطًا من اللؤلؤ
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الفنان |
artist QS:P170,Q41264 |
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العنوان |
Girl with a Pearl Earring |
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نوع العمل |
لوحة فنية ![]() |
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نوع فني |
tronie ![]() |
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التاريخ |
قرابة ١٦٦٥ date QS:P571,+1665-00-00T00:00:00Z/9,P1480,Q5727902 |
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خامة العمل |
زيت على قماش medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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الأبعاد |
ارتفاع: ٤٦٫٥ سم؛ عرض: ٤٠٫٠ سم dimensions QS:P2048,46.5U174728 dimensions QS:P2049,40U174728 |
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المجموعة |
institution QS:P195,Q221092 |
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رقم التصنيف |
670 (ماورتشهاوس) ![]() |
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موقع الكائن |
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تاريخ الغرض |
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تاريخ العرض |
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الكتابات |
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المراجع |
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ملف الضبط الاستنادي | ||||||||||||||||||||||||||||
المصدر/المصور |
معرض الويب للفن: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/v/vermeer/03b/22pearl.html" |
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الترخيص (إعادة استخدام هذا الملف) |
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إصدارات أخرى |
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الشروحات
العناصر المصورة في هذا الملف
يُصوِّر
تاريخ الملف
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
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حالي | 18:12، 6 أبريل 2015 | ![]() | 1٬000 × 1٬197 (111 كيلوبايت) | Frmorrison | Reverted to version as June 2011, because there is no reason to have a 8MB file |
12:52، 21 يونيو 2014 | ![]() | 4٬094 × 4٬789 (8٫6 ميجابايت) | Jan Arkesteijn | higher resolution | |
10:57، 4 يونيو 2011 | ![]() | 1٬000 × 1٬197 (111 كيلوبايت) | JarektUploadBot | {{Artwork |artist = {{Creator:Johannes Vermeer}} |title = Girl with a Pearl Earring |description = |date = {{other date|ca|1665}} |medium = {{Oil on canvas}} |dimen |
استخدام الملف
لا توجد صفحات تستخدم هذا الملف.
الاستخدام العالمي للملف
الويكيات الأخرى التالية تستخدم هذا الملف:
- الاستخدام في en.wikipedia.org
- الاستخدام في es.wikipedia.org
- الاستخدام في fa.wikipedia.org
- الاستخدام في he.wikipedia.org
- الاستخدام في hr.wikipedia.org
- الاستخدام في sl.wikipedia.org
- الاستخدام في sq.wikipedia.org
بيانات وصفية
هذا الملف يحتوي على معلومات إضافية، غالبا ما تكون أضيفت من قبل الكاميرا الرقمية أو الماسح الضوئي المستخدم في إنشاء الملف.
إذا كان الملف قد عدل عن حالته الأصلية، فبعض التفاصيل قد لا تعبر عن الملف المعدل.
تعليق ملف JPEG | VERMEER, Johannes
(b. 1632, Delft, d. 1675, Delft) Girl with a Pearl Earring c. 1665 Oil on canvas, 46,5 x 40 cm Mauritshuis, The Hague <I>Signature:</I> Signed top left. <I>Provenance:</I> The provenance of this painting cannot be traced back very far. All earlier documents or sales catalogs cited by Blankert are pure guesswork. Vermeer seems to have painted a number of "heads," and various cited 'tronie', as they were called, cannot be further identified. We only know for certain that the work was purchased at the beginning of 1882 for the collection A. A. des Tombe of The Hague for fl. 2.30 in the sale Braam of the same city. The des Tombe collection was a public collection and bequeathed the picture in 1903 to the Mauritshuis. This charming portrait of a girl is unfortunately in a very poor state of conservation and suffered from numerous extensive restorations. It is furthermore marred by an ugly pattern of cracks. Nevertheless, it became famous after its rediscovery and was dubbed the "Gioconda of the North" by many enthusiastic critics. Fortunately, enough of the original is left to permit the savouring of a truly outstanding and partly exotic work. The girl is seen against a neutral, dark background, very nearly black, which establishes a powerful three-dimensionality of effect. Seen from the side, the girl is turning to gaze at us, and her lips are slightly parted, as if she were about to speak to us. It is an illusionist approach often adopted in Dutch art. She is inclining her head slightly to one side as if lost in thought, yet her gaze is keen. The girl is dressed in an unadorned, brownish-yellow jacket, and the shining white collar contrasts clearly against it. The blue turban represents a further contrast, while a lemon-yellow, veil-like cloth falls from its peak to her shoulders. Vermeer used plain, pure colours in this painting, limiting the range of tones. As a result, the number of sections of colour are small, and these are given depth and shadow by the use of varnish of the same colour. The girl's headdress has an exotic effect. Turbans were a popular fashionable accessory in Europe as early as the 15th century, as is shown by Jan van Eyck's probable self portrait, now in the National Gallery in London. During the wars against the Turks, the remote way of life and foreign dress of the "enemy of Christendom" proved to be very fascinating. A particularly noticeable feature of Vermeer's painting is the large, tear-shaped pearl hanging from the girl's ear; part of it has a golden sheen, and it stands out from the part of the neck which is in shadow. In his Introduction to the Devout Life (1608), which was published in a Dutch translation in 1616, the mystic St Francis De Sales (1567-1622) wrote, "Both now and in the past it has been customary for women to hang pearls from their ears; as Pliny observed, they gain pleasure from the sensation of the swinging pearls touching them. But I know that God's friend, Isaac, sent earrings to chaste Rebecca as a first token of his love. This leads me to think that this jewel has a spiritual meaning, namely that the first part of the body that a man wants, and which a woman must loyally protect, is the ear; no word or sound should enter it other than the sweet sound of chaste words, which are the oriental pearls of the gospel." From this it is clear that the pearl in Vermeer's painting is a symbol of chastity. The oriental aspect, which is mentioned in the above extract, is further emphasised by the turban. The reference to Isaac and Rebecca suggests that this picture could have been painted on the occasion of this young woman's marriage. So to that extent it is a portrait. There is surely a similar explanation for the Head of a Girl dressed in a smart, grey dress (Metropolitan Museum of Art, New York). One must admire the artist's technique, which features application of the pigments in juxtaposition and melting, avoiding precise lines, and therefore blurring the contours of different colours so as to obtain effects that foreshadow those of the impressionists. The dark backgrounds that Vermeer chose in these two portraits enhance the plasticity of the models.
Author: VERMEER, Johannes Title: Girl with a Pearl Earring Time-line: 1651-1700 School: Dutch Form: painting Type: portrait |
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